a really great ambienty mini-soundtrack that fits the film perfectly. i always knew April was very talented at creating electronic music, but i never thought she’d handle this kind of stuff so well!
i didn't have high hopes for it and wasn't expecting anything special...
but to my surprise, it's actually an amazing comeback for a pop star - a very energetic and sweet project. the 'leaving the label' formula works perfectly for artists every time.
⭐ freak it, i like ur look
🔻 basketball
this time around, BoC has created a truly dark and nocturnal album, and it was no miss.
this new direction truly reflects modern reality: the ai slop chaos, wars, and widespread madness. this band has an impressive ability to release their projects exactly when we need them most. on this album, they've outdone themselves musically, almost perfectly reimagining their style. it’s a divine comeback.
⭐ naraka
🔻 the process
очередная интересная и клёвая эпишка от даниила, ничего особо экспериментального по сравнению с другими релизами, но тут еще более темный и загадочный звук
⭐ реальность
🔻 думанье
i fucking love deep house + alt r&b + uk garage mixture, this album is genuinely so incredible.
the only problem for me is runtime - 1 hour is just too much for me even however every second of this is amazing
⭐ doing it too
🔻 eyes shut
i don't get what people see in this
i mean, it's not bad - it's definitely not bad, but it's just boring? the production on these singles just doesn't hook me at all so far.
#theworstmusiciveeverheard #whitepeople when the person is controversial and ragebaiting for album promoting:
⭐ burning hammer
🔻 投影の芸術
![Alyx Trick - it's a beauty thing [DON'T YOU NOTICE ME]](https://cdn2.albumoftheyear.org/100x0/album/1397956-its-a-beauty-thing-dont-you-notice-me_054516.jpg)
what the fuck is THIS?
i’ve never been a fan of the strokes, and i think The New Abnormal is overrated, but omg, what the fuck happened to them?
why the fuck do i hear white noise whenever this guy sings??? i'm not even gonna start on the autotune, bc everyone already knows how bad it sounds. this song is pure sadness.
i love trip-hop, and i know this is a really important record for the trip-hop scene, but it's just… incredibly boring i can't lie. i tried my best
⭐ unfinished sympathy
🔻 one love
japanese americana is literally top 10 songs this year i can't lie. overall pretty good and good improvement from last solo mixtape
⭐ japanese americana
🔻 i wish
really good but i thought this is gonna be their magnum opus
some songs just don't belong on here, genre blend doesn't work perfectly and i can hear inconsistency in songs like 'yaya toure', 'the front'. still very fun and enjoyable tho.
⭐ the trouble
🔻 weston super mare
genuinely one of the best hip-hop gems ever written, so sad to see that it's only at 81. we probably won't hear music like this again for a long time
⭐ dead weight, double trio 2, and i dance
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Recent Review Comments
On tistan's review of Kim Petras - Detour
"@tistan comparing this to slayyyter doesn't automatically prove a lack of ambition either. genres are built on shared aesthetics. you could apply the exact same logic to synthpop, shoegaze, rage, jersey club, literally anything. similarity alone is not proof of creative bankruptcy. also, burnout doesn't automatically mean the music is objectively getting worse. sometimes it just means you’ve consumed too much of the same style in a short period of time. that’s a listener-side issue as much as an artist's-side one. know the difference"
On tistan's review of Kim Petras - Detour
"@tistan this isn't really criticism, it’s more of an emotional rant. you keep saying "everything sounds the same" "0 ambition" "no evolution" but you never actually explain what you mean by that. which albums are copying each other? what specific trends or production choices are becoming repetitive? what would "evolution" even look like to you? also reducing an entire scene to "slopfest" just bc most releases didn’t personally connect with you says more about your current burnout with the genre than it does about the actual state of the music."
On tistan's review of Kim Petras - Detour
"@tistan no need to be sorry, just stop being annoying and getting annoyed about the music, it's not that deep"
On SOPHIE - SOPHIE
"@Firstpres solsk"
On MattAlexandr's review of leroy - status update music
"holy normies who're not tapped in reviewing this 💔"
On callmestubz's review of leroy - status update music
"https://media.tenor.com/EnP87QouBdIAAAAe/i-hate-fun.png"
On julysroses's review of leroy - status update music
"@julysroses then you don't get this type of music, what kind of discussion is this?"
On julysroses's review of leroy - status update music
"@julysroses dariacore series sounds NOTHING like this, grave robbing is close but it's more mashup album. do you even listen to this whole thing or ragebaiting for no reason"
On julysroses's review of leroy - status update music
""nothing new or interesting" name 3 similar albums ✌️"
On Itscominghome's review of Afterlife Slave - THE WARPING
"comparing this to Discovery sets a very specific standard that not every conceptual electronic project is trying to meet, i don't fully agree that music has to clearly 'tell the story' without context for the concept to work. in many genres, especially electronic music, the narrative is often meant to be abstract or supported by external material. most of the arguments feel more like personal preference presented as universal rules for me"
On WinterHaze's review of Quadeca - i.ii.iii
"imagine that music could hurt you THAT much for no reason like what"
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