Patient, attentive listeners that take the time to find Magus’s secrets will be justly rewarded, as there’s a lot to be dissected here.
As a release that circumvents straight-up catharsis in favour of inducing full-blown self-exorcism, ‘Magus’ has made a late bid to be crowned as one the year’s most face-searingly emphatic releases.
They've always been a band flirting with perfection and with their fifth full-length album, that is certainly no exception
Magus is a successful affirmation of Thou’s place as being amongst the greatest heavy bands on the planet.
While the album seems more consistent than other Thou albums, the band still experiments.
It’s Thou at their finest and most foreboding, but even with that stamp of predictability, Magus maneuvres its songs in such a fashion and that patience and allowance for their gradual build shows their skillset as a group with a revering quality.
The Baton Rouge sludge-metal quintet's fifth proper full-length marks the latest tsunami in the endless storm of defeaning sound, political fury, and overwhelming prolificness that is Thou.
Magus, their first full-length solo album since 2014’s towering Heathen, teases out the tension between melody and abrasion, like a severely narcotized In Utero.
The music itself wonderfully reflects these morphing, warring ideals. What Thou do brilliantly on Magus, and perhaps better than any other metal band, is shift from one melody line or texture into something completely alien, but without a hint of dissonance.
Magus is Thou's best produced album yet and is, like Heathen, admirably ambitious in scope. However, the band's sound still isn't dynamic or enthralling enough to warrant the 75 minute runtime.
The album drags a bit at times with a longer 1+ hour adventure, but the grizzled delivery and slow movements make for a really impactful listen paired with lyrical prowess that is impressive. Songs like "greater Invocation of Disgust, Elimination Rhetoric, and Transcending Dualities were highlights.
Some solid doomy low tuned chug-a-lug with extreme vocals that work alright and add a bit of extra intensity.
The album drags a bit at times with a longer 1+ hour adventure, but the grizzled delivery and slow movements make for a really impactful listen paired with lyrical prowess that is impressive. Songs like "greater Invocation of Disgust, Elimination Rhetoric, and Transcending Dualities were highlights.
Potentially my second favorite form Thou but sounds similar to every other thou album (compliment)
| 1 | Inward 10:08 | |
| 2 | My Brother Caliban 1:04 | |
| 3 | Transcending Dualities 8:52 | |
| 4 | The Changeling Prince 6:29 | |
| 5 | Sovereign Self 10:15 | |
| 6 | Divine Will 1:34 | |
| 7 | In the Kingdom of Meaning 9:33 | |
| 8 | Greater Invocation of Disgust 5:59 | |
| 9 | Elimination Rhetoric 7:53 | |
| 10 | The Law Which Compels 2:58 | |
| 11 | Supremacy 10:53 |
| #9 | / | Sputnikmusic |
| #12 | / | Noisey |
| #15 | / | BrooklynVegan |
| #20 | / | No Ripcord |
| #30 | / | Treble |
| #34 | / | Decibel |
| #43 | / | NPR Music |
| #49 | / | Norman Records |
| #59 | / | Bandcamp Daily |