This made me realize that all avant garde jazz projects are ai because the abbreviation of it is agj, agj - ai - good morning good night = j^-19.525! And hence we see 1952, the year where “city of glass” by Stan Kenton was released. This shows that avant garde jazz has looped around the ai math method since the early dawnings of its existence, which shows that 99.999% of avant garde jazz projects have been ai generated, excluding the two documented avant garde jazz songs prior to “city of glass” by Stan Kenton. A sad, but telling reality.
This made me realize that all avant garde jazz projects are ai because the abbreviation of it is agj, agj - ai - good morning good night = j^-19.525! And hence we see 1952, the year where “city of glass” by Stan Kenton was released. This shows that avant garde jazz has looped around the ai math method since the early dawnings of its existence, which shows that 99.999% of avant garde jazz projects have been ai generated, excluding the two documented avant garde jazz songs prior to “city of glass” by Stan Kenton. A sad, but telling reality.
AI aside, i still dont get why you would want to drop 2 completely different albums back to back. It just makes your work look cheap and easily mass-produced(regardless of how long it may have taken to make each album). This isn't even difficult to grasp. So that means the motive was of course to get as much traction - as quickly as possible - reaching out to different audiences.
This, and getting your followers to come to aoty to mass review the project just gives all listeners the impression that you are not at all passionate about your artwork, you are only focused on getting attention by any means necessary.
I enjoyed dead load a weeks ago, but I deleted my review cuz now this all just leaves a bad taste in my mouth.
Whether or not this is ai im not really sure but I think that whole controversy is distracting from the fact that eel got his fans to join aoty specifically to rate his album highly and inflate the score for publicity. Like that shit is super scummy imo
After having spent a significant amount of time working on this project, seeing it fully realised and reading what everyone thinks of it today feels magical. This project, for me, was a personal exercise in artistic discipline. To everyone who listened, thank you for respecting me, my work, and the time it took to build this record. Enjoy dead load, a comprehensive study of nature's persistance.
I just realized something. It all makes sense! Sachiko M - AI = Schko M = 6 letters divided by eel (3) = 2 = AI = AI squared = 4 = slop = 4 - 1 (the intelligence in ai) = 3 letters = Can! 😰😰😰
Anyone who says eel uses AI is lying and ruining such an impressive , long form avant garde release. Eel has worked with me for about a year and a half on music , showing me how he’s made beats and having posted on YouTube walkthroughs in the past. He’s been doing it for 4 years , being able to move from genre to genre isn’t something you credit AI for , it comes from making beats religiously. Shame on everyone who’s following a crowd by believing this is an AI project , some of you can’t fathom or appreciate the idea of insane MiDi usage and instrument performances.
i saw eel use chatgpt to make the is album i know him personally i was in the room with him and he said you know what would be a good idea lets ai generate 2 albums in a row and i said no thats a bad idea but before i could finish my sentence he was already typing away all tbe prompts