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Critic Reviews
81
Improbably but thankfully, Grimes gets better with every release. As in significantly, staggeringly better.
11y
72
There's an eerie, supernatural undercurrent to these songs, and the moody instrumental pieces that surround them.
14y
60
The premise is watertight for sure: Get two of Canada’s most intriguing new artists to take on a split EP, a side apiece.
12y
despite all of its flaws and some incoherence between both parts, the two-sided «darkbloom» features some highlights that make this an essential listen to every grimes fan. «vanessa» is an ethereal hidden gem, and d’eon’s «telepathy” is nothing short of an astonishingly produced track using interference noise.
the rest of the tracks range from good to really nice ones, making this a usually overlooked debut project.
fav tracks: vanessa; ... read more
cual es el odio a las ultimas,por que no canta grimes y es un collab? cuando son TODOS unos temazos increibles
me parece tetrico y extraño los rankings de grimes o quizas soy muy fanatico
fav:telepathy,hedra
least:ophia
Looking at this having only listened to Grimes’s tracks, it’s not terrible. It’s not as good as Halfaxa, but the production is similar and the production is light and synth heavy. An alright EP that I don’t see myself returning to. My highlights are Vanessa and Crystal Ball.
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Track List
| 1 | Grimes - Ophia 1:09 | 71 |
| 2 | Grimes - Vanessa 5:24 | 91 |
| 3 | Grimes - Crystal Ball 3:16 | 86 |
| 4 | Grimes - Urban Twilight 4:15 | 80 |
| 5 | Grimes - Hedra 3:38 | 71 |
| 6 | d'Eon - Telepathy 3:03 | 67 |
| 7 | d'Eon - Thousand Mile Trench 5:49 | 61 |
| 8 | d'Eon - Tongues 4:15 | 67 |
| 9 | d'Eon - Transparency 5:30 | 70 |
Total Length: 36 minutes
