Epic-sounding and true to that signature AFI sound, AFI (The Blood Album) will be a record that stands out for hardcore fans, while picking up some new ones along the way. The fire is definitely still inside AFI.
While AFI (The Blood Album) may not have the mainstream crossover potential that the band enjoyed a decade ago with Sing the Sorrow and DECEMBERUNDERGROUND, it is still a highly enjoyable album that both diehard fans and anyone looking for massive rock hooks alike should enjoy, despite faltering a bit toward the end.
AFI has little in the way of stumbles and no real clunkers to speak of, but a sense of familiarity and repetition creep in before the finish. It’s not enough to tarnish the gems but a greater commitment to ruthlessness would have been welcome. Still, this is a strong rebirth from an outfit that, perhaps appropriately, doesn’t quite know how to wither away.
The punk energy remains, frontman Davy Havok’s vocal delivery dripping with drama and passion, but with a glorious, gilded production job from guitarist Jade Puget, AFI (The Blood Album) luxuriates in a velvety richness that makes it a sumptuous listen.
The Blood Album ... It's hard to shake off singer Davey Havok's sterile lyrics, especially when many of the choruses lean heavily on his bold, operatic delivery yet are somewhat squandered on half-cocked one-liners. For a 14-track record, there are some questionable inclusions, too.
In the three years since their last release, Burials, AFI had to choose between staying the course of recent history or reverting to their hardcore roots. In this case, they chose the shelter of mainstream acceptance, a predictable – if disappointing – decision.
Perhaps it’s all worth it if The Blood Album spurs a rejuvenated interest in Sing the Sorrow and Black Sails on the Sunset, but the triumphant return of AFI is still ready when they are.
Chegando próximo ao fim da discografia completa da banda AFI, me deparo com a situação inusitada que é o seu projeto de 2017 “The Blood Album”. Um projeto que é provavelmente o mais ouvido pelo meu irmão Felipe (a inspiração para ter feito esta discografia para começo de conversa). Mas que para mim, junto com o projeto ‘’Bodies’’ de 2021 são os piores trabalhos da banda, piores até ... read more
A much more softer album from AFI, compared to their earlier work. And the result is a rather inconsistent album. Some songs are great (Snow Cats and Still a Stranger), but a good chunk of the others are only Fine to Good, such as Hidden Knives, a song that sounds fine, but on a closer listen, just doesn’t hit as hard as it should. This album could’ve been made by any other band and it would still sound the same.
It's alright I guess? Definitely not a 58/100, but this is definitely their weakest album since Shut Your Mouth in 1997. There weren't any bad songs per se, but this album just mostly felt bland. They had long already exercised this sound to death by the time the 2010s rolled around.
This isn't a bad album at all, but not a great album, and most certainly not an album that I'd come back to.
Chegando próximo ao fim da discografia completa da banda AFI, me deparo com a situação inusitada que é o seu projeto de 2017 “The Blood Album”. Um projeto que é provavelmente o mais ouvido pelo meu irmão Felipe (a inspiração para ter feito esta discografia para começo de conversa). Mas que para mim, junto com o projeto ‘’Bodies’’ de 2021 são os piores trabalhos da banda, piores até ... read more
| 1 | Dark Snow 3:17 | 63 |
| 2 | Still a Stranger 2:49 | 72 |
| 3 | Aurelia 2:54 | 70 |
| 4 | Hidden Knives 2:56 | 75 |
| 5 | Get Hurt 3:44 | 60 |
| 6 | Above the Bridge 3:28 | 64 |
| 7 | So Beneath You 3:19 | 73 |
| 8 | Snow Cats 3:20 | 68 |
| 9 | Dumb Kids 2:40 | 58 |
| 10 | Pink Eyes 3:28 | 71 |
| 11 | Feed from the Floor 4:09 | 75 |
| 12 | White Offerings 2:50 | 67 |
| 13 | She Speaks the Language 4:01 | 54 |
| 14 | The Wind That Carries Me Away 3:38 | 56 |