Every single song on this album excels as an individual narrative – painting a detailed picture of a fictional, archetypical American suburb – but the whole still manages to be more than the sum of its parts. Wallsocket is her masterpiece.
Zero boundaries and limitless innovation have cultivated one of the most unique listening experiences of the year, and despite the demarcated nature of much of the track listing, Wallsocket does truly offer something for everyone.
Fishmonger has a really special place in my heart..
Which is why it's going to take me a few days to fully accept that Wallsocket is a much better album.
Edit: Yeah I think it is 👍
NO NUANCE REVIEW
Why have I not heard of underscores until now? This is my shit! What else have you bastards been hiding from me?!
God, what a great week for new music. Two 8’s and two 9’s? Nothing can ruin for this streak!
right?
As many people have stated before, and it being obvious, this is an ARG album. It has some deep lore that id recommend you read along with the album. Incredible storytelling. The production here is top notch, the way underscores just casually breaks what electronic music should sound like is astounding. My fav off of this is definitely Uncanny Long Legs, it's just great. Definitely my favorite work by her!
Favorites: Duhhhhhhhhhhhhhhhhh, Horror movie soundtrack, Old money bitch, Uncanny long arms
Least Favorites: none
| 1 | Cops and robbers 4:25 | 90 |
| 2 | Locals (Girls like us) 4:18 with gabby start | 92 |
| 3 | Duhhhhhhhhhhhhhhhhh 4:07 | 86 |
| 4 | You don’t even know who I am 4:04 | 83 |
| 5 | Johnny johnny johnny 4:05 | 89 |
| 6 | Shoot to kill, kill your darlings 5:04 | 84 |
| 7 | Horror movie soundtrack 3:52 | 80 |
| 8 | Old money bitch 4:05 | 89 |
| 9 | Geez louise 7:20 with henhouse! | 89 |
| 10 | Seventyseven dog years 4:35 | 84 |
| 11 | Uncanny long arms 5:26 with Jane Remover | 91 |
| 12 | Good luck final girl 3:28 | 84 |
| #7 | / | The Atlantic |
| #13 | / | The Needle Drop |
| #15 | / | The Forty-Five |
| #20 | / | Still Listening |
| #33 | / | Slant Magazine |