Everything smacks of this being a grown-up album. Where grown-up in this instance is actually about being entirely honest and forthright about how bad things are. And it’s immensely, moreishly listenable.
Night Network may not be the 12 tracks which would shake the person who doesn’t like The Cribs out of their most curious position. But it is 12 more assertions of greatness from a band who you really should like.
As from an unspeakable event a remarkable record has come. One that sits amongst Nick Cave & The Bad Seeds’ best. Skeleton Tree is full of grief, but full of heart too.
Defiant, solid, aggressive and powerful are all words which you could level at Adore Life. It’s also an album of supreme confidence, one which has no issue with simply stating its case, of which it is certain.
The second half, Jenny Death, is better. A lot better. It’s perched far closer to the edge of apocalypse, a pinhead upon which Death Grips seem far more at home.
It is musically defter and subtler than the previous album, if not entirely dissimilar in terms of atmosphere. The pace is slow, the colours are faded and the feeling of doomed romance hangs around the record like bequiffed ne’er-do-wells about a bowling alley.
It is an album that, with a little bit of dedication and a bit of effort leaves you agog.
Always subtle, usually elegant and generally very easy to appreciate, but never implanting itself onto your mind with red-hot intent.
It's a good follow-up, just not a great one. More annoyingly, it feels like it could have been better.
Toy is an epic, psychedelic, droning, wonder. Every track takes the germ of an idea and then repeats it at you with ever deepening insistence and almost imperceptibly subtle evolutions.
Tempest is a flawed but mostly fascinating album. It bears the restlessness of an artist seemingly as interested in making music as he's been for a while.
While it is ever-so-slightly patchy, it would be unkind to suggest that Wild Peace is anything other than an impressive debut.
Lovelorn, honest, poignant and emotional in the best way imaginable.
This is the best and most complete set of songs Spiritualized have made since Ladies And Gentlemen.
It's an impressive work from a genuine legend and as a response to our current situation, leaves us with a pertinent message: in Bruce we trust.
For what it sets out to do, it's damn near perfect, and what higher praise is there than that?