The Beatles - Past Masters, Volumes One & Two
65

Beatles: 14/81

a huge amount of tracks, some heard before, but a great way to release all the single versions.

The Last Dinner Party - From the Pyre
50

From the Pyre does a whole lot of things really well, but ultimately falls flat upon being a compelling final product. Everything sounds great, truly; the vocals are splendid, instrumentals are compelling, mix is great. There's just no staying power. Anyone can play guitar, but not anyone can create a cohesive message, I guess.

Burial - Untrue
85

Not many albums can paint an instrumental portrait of the human being like Untrue does.

2814 - 新しい日の誕生 [Birth of a New Day]
65

Inconsistency throughout the runtime...track 1 and 2 are extremely strong, followed by track 6. the rest simply do not hold up to the same scrutiny. just pick your favorite three for your study playlist.

Thundercat - Drunk
35

An incredible and wild vision that is dragged down by a lot of same-ness and repetitiveness. It's got some really awesome moments, but after about thirty minutes, there's just soooo much of the same vibe. It gets a little boring.

Miles Davis - Relaxin' With the Miles Davis Quintet
75

an extremely relaxing record, with one genuinely incredible recording on You're My Everything.

Paul McCartney & Linda McCartney - Ram
70

Ram is fashionably Paul. It's not always great...but he has his moments.

Racing Mount Pleasant - Racing Mount Pleasant
40

racing mount pleasant bring nothing notable or fresh to the table. fifty-seven minutes later, i am in the same place i started.

also, this is not windmill scene. they're from ann arbor michigan

Magdalena Bay - This Is the World (I Made It for You) / Nice Day
50

Magdalena Bay's latest singles continue the three main issues they've been having as of late; and, since this is apparently the final single, I'll list them in earnest.

1. Structural Issues | This Is The World (I Made It For You) suffers from this odd ebb and flow structure that plagued Second Sleep; the track's natural progression is subverted in a way that denies it of any continuity that the previous 4 minutes have been building. It eventually just ends without much ... read more

FKA twigs - EUSEXUA Afterglow
70

As opposed to EUSEXUA's carefully constructed emotional facade, EUSEXUA Afterglow seems to collapse in on itself, imploding into millions of particles and glorious technicolor. It's an explosive EDM record that surpasses its sister album. Absolutely one of the better electronic / art pop albums this year.

LAUSSE THE CAT - The Mocking Stars
20

35 >> 20
IsraelGPT generate me a heckin cozy quirk chungus album!! Also i’m british and sound like a bad drone sample when i “rap”

Coil - Time Machines
95

DOET/Hecate is one of the most beautiful things I have ever heard

Kendrick Lamar - To Pimp a Butterfly
85

yeah you don't need me to tell you to listen to this

Carly Simon - Anticipation
60

its a fine album

shteppi - in my room.
80

quite relaxing i am happy

Danny Brown - Stardust
65

i feel Danny Brown's love for himself and others shines through on Stardust in a really inspiring way, despite the album not always clicking. When it's great, it's really great.

ROSALÍA - LUX
40

suck suck suck suckin' off bjork

Björk - Debut
70

I'll stand by The Anchor Song being one of the most stunning songs out of early Bjork projects until the day I die.

Debut is very bright compared to what Bjork has done afterwards, but it still contains stunning brilliance. It's a chaotic and extremely original listen.

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Recent Review Comments
On venturing - In the dark
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On venturing - In the dark
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On lipaomusic's review of Racing Mount Pleasant - Racing Mount Pleasant
"have you listened to For The First Time?"
On Maruja - Knocknarea
"@TopHatGoose I do quite like Forever Howlong but i think any copycats wouldn't be particularly enjoyable. The sound evolution was VERY appreciated to me. The combination of Baroque Pop and Chamber Rock is hard to fake: It's usually great, or it's quite bad. Forever Howlong proved to me that BC,NR are one of the more cohesive modern bands in the artistic sense, and I deeply respect them for their commitment to originality. They don't invent the conventions but they do innovate in important ways. If other people fail to make Baroque Pop next, fine! Most I can do is give my props and credit to the artists I like. Nice talking to you! AOTY usually isn't the place I go for actual music discussion, so this is quite welcome."
On Maruja - Knocknarea
"@TopHatGoose Thanks for the explanation, I likely won't sit through more though, lol The constant windmill scene veneration is something that has annoyed me to no end! It essentially has two genres (crank wave and chamber-post-baroque-rock-pop / ants from up there-ish), and i'm sick of both. this year has seen so many derivative windmill type albums that the scene has near lost its charm. It's frankly ridiculous how boring it's all become (looking at Racing Mount Pleasant). I seriously hope its just a 2020s fad."
On Maruja - Knocknarea
"@TopHatGoose Pain to Power was the first Maruja thing I ever heard, it's fascinating how they've been making the same okay crank wave for years It kind of pisses me off that I disliked this EP so much because now i feel like i was swindled. Takes a lot for a band to pull that off. Funny story, after hearing Pain to Power I was so enamored by it (as one is the first time hearing Proletariat-Crank-Wave) that I pre-ordered the vinyl. It never ended up coming after four months, I eventually had to call my bank to refund. I don't know if that's a normal occurrence, but I think it IS a sign."
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On outlanderok's review of ROSALÍA - LUX
"@broneedsmilk i mean rosalia is"
On outlanderok's review of ROSALÍA - LUX
"say it with me: SUCK SUCK SUCK SUCKIN OFF BJORK"
On Slint - Spiderland
"@yonn YEAAAA"
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June Playlist