It insists upon itself.

Meet Your Padre was genuinely the only song I enjoyed on my first listen.

Relatable: I, too, pray my dihh gets big as the Eiffel Tower.

The white girls had a point.

One of the bravest albums of all time.

A very good album that takes more risks than its competitors. Still, some of those risks probably could've been polished a little bit more.

A masterpiece in storytelling and sonic themes.

Conceptually weaker than the rest of Kendrick's discography, but with a level of polish that few other artists could hope to replicate.

I felt like I was gonna die.

I figure this album isn't made for people like me. I can appreciate the artistry, but I didn't get the appeal personally.

EDIT: I might be gay. (60 --> 75)

The worst of the trilogy, but still a very good album.

Could have used a little more polish on certain tracks, but all-in-all a trailblazing classic.

The darker tone and improved lyricism makes this Cudi's best.

Short, sweet, and addicting.

Incredible album that could've used some trimming but shines nonetheless.

Overhated. Even if most of it wasn't, Ghost Town alone should justify a higher score.

Incredibly tight and well-executed, both lyrically and sonically. Not a dull moment anywhere.

The lows are pretty low. Thankfully, the highs more than make up for it.

I used to think this album was overrated but I've come to realize that regardless of commerciality it's just an amazing work

Would be 110 if he didn't include Send It Up 💔