Brutal
I mean, from that cover you know this is gonna hit, and it's gonna hit hard. Really powerful.
Top Tracks: Dissociation, Black Lazarus, History of Violence
Sorry Alessia
I don't want to be mean with Alessia, I really like her voice and her music. This project was really chill and enjoyable, it just reminded me of why Alessia is not that big in the industry, I felt it a bit mid, nothing remarkable.
Top Tracks: Go Outside!, (isn't It) Obvious, Run Run
I mean it is not bad, I just felt it too long THat's what she said lol).
Top Tracks: After Life, Bounce Boy, Headlights
add
Ketamine, coke, and Molly
Top Tracks: Kiss Me Thru The Phone pt 2, Starkilla, Girlie-Pop!
Okay so, Conan just had the worst summer ever
An album talking about a very common gay struggle, as a gay guy of course I can relate and that relation is what makes me like it, definitely not a masterpiece, showstopper record, but it is good...and that's it. I personally loved more the vibe and aesthetic and sounds of his previous work, at least that was a different proposal.
Top Tracks: Actor, Caramel, This Song
The Lesbian Struggle
Oh Reneé, they will never make me hate you.
Top Tracks: Kiss It Kiss It, Mad, I Think I Like You Better When You're Gone
This was kinda fun and cunty
It is also a very cool and clever way to give the middle finger to the system. I loved it
Top Tracks: Fun Times, Contrarian, Push Me Fuckhead
It felt so white, even that voice, but I could rescue a couple likes
Top Tracks: Happy Lights, This Side of the island
I only liked the songs where he didn't sing lol
The sexiest experienced I had in a while
well... that sounded better in my head, anyway, great album.
Top Tracks: Roads, it Could Be Sweet, Glory Box
Oh Wow
Nothing, and I mean nothing, could’ve prepared me for that voice.
It’s like… made for country, but somehow not country at all? It lives outside of genre, and I’m obsessed. It’s such a unique tone, like it shouldn’t work, but it does. And it works beautifully.
And then, as the song kept going, that voice, so raw, so honest; just hit something deep in me. It was so unexpectedly profound that I literally teared up. Not full sobbing, but yeah… a ... read more
Consider me scared
I mean… once you’ve heard Preacher’s Daughter, you already know Ethel has this creepy, twisted, kinda perverted side to her. And with Perverts, she leans all the way in.
It’s not music I’d normally play, but honestly? It’s really well done. Unsettling, yes, but at times kind of enjoyable in this weird, hypnotic way. It reminded me of that “Boots, Boots, Boots” poem by Rudyard Kipling (I heard it recently in 28 Days Later), ... read more
MORE, PLEASE
This is good pop , like, really good pop. It feels fresh within the genre, like Rose Gray is doing what a lot of other pop girls wish they could. Sorry Addison! The production is exquisite. Every beat is sharp, every sound intentional. Honestly, this feels like a new pop bible.
Top Tracks: Tectonic, Free, Wet & Wild
Surprise!
It feels like modern '70s music: warm, introspective, and emotionally raw, but with a fresh twist. The vibes definitely lean into that era. And yet, it never feels old or recycled.
Top Tracks: Idiot Box, I Want You Here, Afterlife