Slum Village are criminally underrated, and Fan-Tas-Tic Vols. 1 and 2 are the reasons why.

Good.

It's his weakest, but it's not necessarily a bad album. Just disappointing.

One word: "Cattitude."

His best. Won't be for everyone, but it's a fantastic listen for fans of this kind of music.

This album is abysmal. Khaled continues to be one of the most non-essential figures in music, and seems to think that star-studded songs alone will bring him a hit. Spoiler: it won't.

Tyler outselling him by a fair amount (especially in 2019) should be a wake-up call. Generic, boring, trap music just won't cut it. Consumers want something new.

Not feeling this.

Three interludes and SHAKE 88? Yikes.

Brilliant work from an artist at the peak of his powers.

Nowhere close to the original YS trilogy.

The greatest producer of all time.

I don't think I've ever felt so indifferent about a Logic album in my life. I can't understand how the man who wrote and recorded Under Pressure could fall from grace like this.

A "soundtrack." For a book? Seriously?

Plastic 100° C is one of the best songs of the decade.

Not the best, but the only glaringly awful thing was Lil Yachty's feature. Maybe he'll improve, but right now he sounds like an average indie-pop artist (despite his obvious financial backing)

Earl taught him well.

*yawn*

The production wasn't bad, though it did get repetitive. His rapping isn't bad either, but there is an overabundance of corny lines sprinkled throughout. He seems way out of place on trap beats, and when he gets on something slower like "Eyes" or the second part of "The Man On My Left Shoulder," I found myself enjoying it.

I'm not going to dismiss him just yet, considering that he's 18 and clearly doesn't know what style works best for him. Whenever he stops doing the trap ... read more

Great project by a producer in the middle of an unexpected career renaissance.

Breakthrough tape for the biggest rapper in the world.

Super bland.

Easily one of the greatest mixtapes of all time.