This might honestly be WSG and Conway at their absolute best. Griselda Ghost is one of the rawest, grimiest, hardest-hitting albums in the entire Griselda catalog. From front to back, it’s dark, street, menacing, and relentless. It’s everything you’d want from a Griselda project—unfiltered and unforgiving, with that signature rawness and grit that makes them so addictive to listen to.

What makes this one so special is how tight and focused it is. Clocking in at just ... read more

After the incredible trap masterpiece Rodeo, Travis came back with what felt like a slightly underwhelming follow-up. Don’t get me wrong—Birds is still a good album, but coming right after Rodeo, it just doesn’t hit the same. That said, there are definitely standout moments. Tracks like the ends with André 3000, way back, through the late night with Kid Cudi, goosebumps with Kendrick Lamar, pick up the phone with Young Thug, and wonderful with The Weeknd all show Travis ... read more

By far Rihanna’s best album—and a really solid one at that. Her previous albums always felt a bit like scattered collections of songs, lacking a clear direction. But with ANTI, she seems to have cracked the code. The album feels way more cohesive, with a distinctive sound and focus running through it. Rihanna sounds as great as ever, and the overall mood of the project just works.

That said, while ANTI could’ve pushed the R&B boundaries even further, it’s fine the ... read more

With her third album, Ariana Grande once again showed growth as an artist. Her vocal performances are top-tier, and she delivers a strong batch of pop tracks. Songs like Dangerous Woman and Side to Side highlight her talent in creating undeniable radio-hits, blending powerful vocals with catchy production.

The album stays engaging throughout, with standout performances on tracks like Moonlight, Greedy, and Thinking Bout You. While it doesn’t always push lyrical or sonic boundaries, ... read more

A.M. Paradox is a fine EP that showcases Brent Faiyaz’s signature soothing vocals over smooth R&B production. While it doesn’t break a lot of new ground, it’s an enjoyable listen that hints at his future potential. Nothing mind-blowing, but definitely a fine project.

Future is in his bag—again. Purple Reign is another reminder of why he’s the trap GOAT. As with most of his projects, the formula stays the same: a bunch of bangers, a few forgettable tracks, but the highs always outweigh the lows. And that’s exactly what happens here.

The project includes some of Future’s best tracks—Wicked, Inside the Mattress, Perkys Calling, and Purple Reign—all of which are near-perfect examples of trap at its finest. These songs hit ... read more

24K Magic is Bruno Mars doing what he does best—smooth, funky, and insanely polished pop. Right from the start, the title track sets the tone: funky, confident, and danceable. Songs like Chunky, That’s What I Like, and Finesse keep that groove going, while tracks like Versace on the Floor and Calling All My Lovelies slow things down in that slick, seductive Bruno way.

It’s a super clean album—maybe a little too clean at times. Like, it sounds good, but also a bit too ... read more

Blood on the Dance Floor often gets brushed aside when talking about MJ’s discography, mostly because of all the remixes tacked onto the back half—but if you focus just on the first five original tracks? You’ve actually got something really solid here. These songs might not get the same love as his biggest hits, but they’re absolutely worth paying attention to.

Let’s start with the obvious standout: the title track. Blood on the Dance Floor is pure Michael ... read more

With the fourth instalment in the HWH series, Westside Gunn did what he always does—deliver. And did we really expect anything less? At this point, Gunn had already solidified himself as one of the best curators in the underground. His ability to pick the right beats, pair the right features, and add just the right touch of grime, style, and flair to each project—it’s all there again on HWH4.

This tape leans heavy into that signature Griselda sound: dusty soul samples, eerie ... read more

Coming off their solid debut—which had some major highlights and introduced the duo’s energetic style to the world—Rae Sremmurd returned with SremmLife 2, a slight but noticeable step up. Just like the first album, it’s not always consistent, but it is a bit more refined this time around. Their sound remains breezy and fresh, and the dynamic between Swae Lee’s smooth melodies and Jxmmi’s rawer edge still works like a charm.

Their chemistry really shines, and ... read more

Savage Mode is alright. 21 Savage and Metro Boomin definitely had some good chemistry going, and tracks like No Heart and X still hit hard. Those songs carry the tape, honestly. Outside of that, though, a lot of it kind of blends together. It’s got the vibe, sure, but not much that really sticks after the first few listens.

It’s not bad by any means, just a bit forgettable as a whole. Decent for what it is, but aside from a couple standout tracks, it doesn’t leave a huge mark.

Wild World is just a fine album by Bastille. It’s not bad by any means—Bastille definitely knows how to create a clean and catchy pop rock album. The production’s polished, the songwriting is solid, and there are some enjoyable moments throughout. But at the same time, it doesn’t really move me or leave much of a lasting impression.

I guess I was hoping for something a bit more bold or different. Instead, it kind of plays it safe if I’m being honest. It’s ... read more

Energía Lado B isn’t a groundbreaking project, but it definitely has its charm. I remember playing this a lot back in 2017—it’s just one of those albums that’s easy to throw on and just vibe with. It’s got that smooth Latin pop and reggaetón sound that Balvin does so well, and while it doesn’t necessarily break new ground, it definitely delivers on atmosphere.

There’s nothing overly deep or experimental going on here, either lyrically or ... read more

After the success of the hit songs on their first two albums, Two Vines did have some expectations – you’d hope that this album again contains some amazing hits. But, just like their first two albums, you come out thinking, “it was just fine”. It’s definitely not bad, and there are indeed a couple of standout tracks that hit really hard, but as a full album, it just doesn’t leave much of a mark.

They’ve always had a talent for creating big, shiny pop ... read more

Lil Uzi Vert Vs. The World really was a moment. Back when this dropped, Uzi had everyone in a chokehold, and it’s easy to see why. The energy, the melodies, the charisma—it all just clicked with everyone. This tape was pure fun, full of that youthful, carefree vibe that made Uzi stand out from the jump.

Tracks like Money Longer and You Was Right are straight-up classics, with Uzi’s unique delivery bouncing perfectly over spacey, playful beats. His voice and flow just fit ... read more

By the time Hard II Love dropped, Usher had already long cemented himself as an R&B veteran. But unfortunately, this album doesn’t add much to that legacy. After a bunch of underwhelming releases, this was supposed to be a return to form (especially since the 4 year gap between this one and Looking 4 Myself), but instead, it feels like more of the same—generic, uninspired, and ultimately quite forgettable.

And it’s not even that Usher doesn’t sound good, no, his ... read more

The Human Condition is one of those albums that felt fresh and exciting at the time, but revisiting it now, it’s a bit of a mixed experience. Jon Bellion’s signature Pixar-esque, hyper-stylised production is definitely unique—there’s no denying the guy is insanely creative. But sometimes, that creativity gets in its own way.

The album is packed with very rich and detailed production, layered vocals, and a whole lot of effects on every track. Songs like All Time Low and ... read more

Majid Jordan’s self-titled debut is mostly underwhelming and kind of forgettable. The duo clearly has chemistry, and there are moments where their signature moody take on R&B comes through well, but as a whole, the album doesn’t do much to stand out at all.

After a few songs in, everything starts to blur together. Additionally, the album leans way too much into the clichés of modern R&B, without much new to offer.

Don’t get me wrong, it’s not a bad ... read more

4 Your Eyez Only might not be J. Cole’s flashiest album, but it’s definitely one of his most personal and thoughtful. It’s got a quiet strength to it—tracks like For Whom the Bell Tolls, Immortal, Ville Mentality, and Change show Cole in reflective mode, really diving into life, legacy, and the bigger picture. The title track especially stands out—probably one of the most powerful and well-written songs in his catalogue.

That said, the album isn’t without ... read more

Coming off the weird, out-of-the-box, at times atrocious, and super experimental Speedin’ Bullet 2 Heaven, Cudi made a strong return with Passion, Pain & Demon Slayin’. The album cover alone already sets the tone—it’s dark, moody, and feels like a late-night sonic journey. Cudi really pulls you into this atmospheric soundscape with haunting beats, his signature humming, and deeply personal songwriting.

Highlights include By Design with André 3000, Rose Golden ... read more