The band's new record after a long hiatus is a beautiful, melancholic piece of art from start to finish.

"The Greater Wings" offers a dream-like soundscape accompanied by a beautiful guiding voice.

The duo's new LP is inoffensively fun, which is both its biggest strength and weakness.

A definitive improvement upon its base material, however, despite its slight revisions here and there, the overall sound still feels outdated and flat.

"I've Got Me" is a beautiful collection of songs that provide the equivalent of a comforting warm hug.

Most certainly, Lil Uzi Vert's "Pink Tape" has its own unique sound; however, the songs suffer from being drawn out, creatively lacking on the lyrical side, and occasionally Uzi's delivery feels awkward.

The Icelandic band's first LP in a decade offers a beautiful cinematic soundscape, although it is somewhat frontloaded and occasionally dragged out at times.

"The Beggar" is a euphoric and intoxicating experience that captivates with its hypnotizing soundscape from beginning to end, and it certainly feels like a return to form since "To Be Kind."

"Michael" should in theory be a hit, but unfortunately it feels flat and feels one-note.

The Aussie band's new record is their most energetic yet, serving as a homage to thrash metal and unquestionably ranking among their best works to date.

Inoffensive and a bit scattered, Homme's band delivers a new album that showcases catchy riffs, yet ultimately fails to stand out from their already well-established catalogue.

Christine and the Queens' latest release showcases a definite improvement from his last two albums; however, the record, with its nearly two-hour runtime, becomes massively bloated with experimental tracks that mostly do not work in his favor.

Their first record in 6 years maintains an unchanged sound, with both positive and negative effects, offering familiarity to fans but lacking memorability overall.

"Space Heavy" definitely has a strong vibe to it, but unfortunately, it feels very one-note and lacks diversity.

Squid's new record delivers an impressive experience from start to finish, characterized by its rich sound and unwavering energy, firmly establishing them as a band worth watching in the coming years.

Being sexy and giving off summer vibes is unfortunately all Janelle Monáe’s new LP offers, with a handful of half-baked songs and unecceseray interludes, sprinkled through some highlights.

The new Foo Fighters record is a celebration of rock, a heartfelt love letter to the ones we lost, and a light in dark times that everyone can get something out of.

Abbado's interpretation of Mahler's magnum opus is a riveting experience from start to finish.

Colin Stetson righteously blows his own horn on his new LP, creating an amazing and unique soundscape with his various brass instruments.

Despite a rough start, Everyone's Crushed finds its footing pretty fast down the tracklist, not being shy of stretching the fabric of rock.