It's an alright album with a couple of good songs, but still too damn short to even be considered an album.

A short and sweet album displaying Kanye's more impulsive behavior.

Best track: Ghost Town

A lot of obnoxious oversaturated and cheesy pop songs in a huge difference with their debut Let Live & Let Ghosts. I don't know why they changed their style so much to this but I really hope it doesn't stay like this whenever I listen to more of this.

Mediocre at best annoying at worst. At least its a single and not an album

A very solid Ep with a chill nostalgic vibe. Got to love Last Day on Earth and Friends

Basically the same thoughts as I mentioned on my Discovery review, but this one clicks more with me.

I was definitely not expecting a huge live ambient project but uh yeah it's that. It's not really my thing and i felt that some of the sounds used were really obnoxious like the one used between i am not your home and unfriend. Although it is neat how the songs transition into each other.

An amazing follow-up to Kanye's debut. The production is great, the songs are great, and those skits actually don't feel like filler for once.

Best tracks: Roses, Heard 'Em Say



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So many fucking great songs in this album. There's All Falls Down, Through The Wire, Two Words, Family Business, The New Workout Plan, goddamn I can't count all of these. The production is incredibly crisp with Kanye's super impressive style of sampling.

Best track: Through The Wire

Disappointing for having the most hits out of any album in the bands discography. All of the tracks are super flat and have no interesting and have no stand out featute about them. On the other hand, the production for the album in general is done well with no instruments climbing over each other.

A couple special picks through an overall decent album. Its Pink floyd what's new to say.

This has all of my favorite aspects of indie psych bands combined into one album. Great flow, good vocals and a very clean and ethereal sound. I cant wait to listen to more of this band holy hell.

The only funny thing to mention was that while I was listening to this, I was playing Princess Tycoon on Roblox and it fit perfectly.

I don't know man, I really tried to like this album after listening to the trash fire that is Viva Las Vengeance but I just cant seem to get into it. The music is so oversaturated in the same pop-like sound that plagues bands like AJR, Owl City, and Tones and I, but with more "serious lyrical themes" and well conducted singing. But all of the songs except Sarah Smiles are really bland and forgettable and would not be missing out on much if i never listened to this.

I dont really have much to say besides it being a very solid album taking a lot more risks than Pop Food with its themes and instrumentation, but I will never forgive Jack Stauber for that annoying fork against the chalkboard sound that he uses in It's Alright because it is NOT ALRIGHT.

The album starts out very strong and then loses me when Bothersome comes up. It was an unintended mistake to make the best songs on the album be in the first half of it. The production and mixing is still very consistent and well-made throughout, but i guess it's just doesn't quite stick with me.

I don't really know what to say besides I feel bad about the expired milk now.

Honestly this would be fine if the first song was just a single. The rest of the album feels like a lot of unnecessary filler and wannabe hit garbage that it's hard to ignore that this sound devolves in to a super repetitive and obnoxious so quickly when the quality drops like a rock in Middle of a Breakup. Brendon Urie killed this album more than the Piano killed him.

Its pretty cool seeing all of the songs live but it's still very difficult to distinguish between the tracks because of just how similar they are. Also that drummer is fucking KILLING IT god damn.

A very nostalgic and engaging album throughout its entirety. As well as being one of the only albums I considered watching the music videos for their extremely creative editing and photography.