Ascoltato ma mai recensito, colgo l'occasione con l'uscita del nuovo album

E' un album veramente molto inusuale, hai tutti i colori e suoni dell'estate, riesce ad essere leggero movimentato e pieno di significato, con la piena partecipazione di altri artisti che "prestano" la voce per i cori e cantare in dialetto su queste basi molto tambureggianti e a tratti funk. E' un metaforico Bar che cerca di unire tutte le sponde del mediterraneo a prescindere dai ... read more

to be a YE album it's not that bad

the production is really good, this album really takes a lot from "Yeezus", the rapping is provocative, but not the kind to get canceled (THANK GOD), the first half is definitely stronger than the second one. I liked that he tried experimenting with new type of music, like "ALL THE LOVE" and "PREACHER MAN", even though the rapping is so much toned down that it seems a like a mixing problem, so I still think that this album ... read more

Sonically and conceptually perfect, it's a free cry that represents a world of interpretation and imagination. It shows the society of the time, while modern society simply continues to justify it. It shows the pain that constantly afflicts us, that is inflicted by society, and that afflicts those closest to us. You can feel the pain as the sentences are written and the verses are sung, the pain of "losing" a friend, or of being helpless in the face of all these normalized social ... read more

con l'arrivo di quest'album non so che a punto sia arrivata la carriera di Nayt.
Tra quest'album (o lettera Q) ad HABITAT passano eoni di qualità musicale, la capacità di chiudere un album concettualmente è calata, non sembra abbia molto più da dire. Non è questione di barre, sembra sia diventato ripetitivo, uscendosene con quelle sue due barre conscious/sullo stato del mondo per canzone, con i ritornelli che non sono più coincisi come ... read more

It's a solid album I guess????

Don Toliver approached this album having in mind a certain musical landscape, opting for more of an electronic sound, raw samples, loud bass etc.. Except for some highs, the entire album dries up quickly, if you're not a don toliver's diehard I doubt this album will stay in rotation for a long time, except for a couple of songs, even the feature don't spice up the mix that much. That being said it's still solid, Don changed the soundscape ... read more

I listened to it while on a trip in Slovenia, really fits the Ca$ino vibe and aesthetic

This album is a playful in the best way, keem plays with wordplay and new bars and instrumentals on this project. It has some really high energy moments and even lyrical moments (unironically on "I am not a lyricist"), and some more "Romantic" and emotional moments... I'm still weirded out from the Kendrick feature even though the song in itself is really cool, but Momo murdered ... read more

Took a while... but IT'S BECAUSE THIS IS INCREDIBLE

Disc 29:
Coming back from the first boom of his carreer at age 29, Cole comes back to the Ville and faces all the changes that his fame provoked to his relationship with his hood. This disk is full of bragadocious bangers, reflecting the persona he was at the time, full of hype and feeling himself, and also lots deeper cuts talking about love, legacy, but most importantly, the shift in his perspective by being as famous as he has become, ... read more

Truly an incredible story-telling album, very versatile, touching all types of themes regarding the life of James, going from love songs to straight conscious bangers about change and the perspective of life in a reality like "the Ville". All of this with the objective of criticizing the american economic system and the life it puts on people that are struggling economically. This album keeps some of the best particular Jermaine's performances and some of the best songs from the ... read more

Just some of the pieces of music that shaped people's nature and ideologies in the 2010s...
This type of music perfectly adorned one of the most incredible indie games of all time, a foundation composed of simple "tiles" that perfectly and consistently create the atmosphere, managing to maintain excellent harmony and consistency across all 101 tracks. Each track allows you to relive the game and its atmosphere just by listening to it. It's truly an incredible soundtrack, ... read more

An album anticipated for far too long

To think, after so long since the last release of a concrete project by A$AP Rocky, to come here, leave a score, and leave seems wrong to me; after so long, waiting to be able to understand his vision and point of view with so little. I say this especially for Flacko because I deeply believe that a rapper's best albums come from a channeling of various important experiences in their life. Ms. Lauryin Hill has spoken about this in the past regarding ... read more

Listened to it on drop, pretty forgettable, the production on some tracks is pretty cool, and on some tracks he has a cool delivery, but overall not it's just a bunch of generic UK drill songs, nothing less nothing more.

non capirò mai la logica di Gué... a volte se ne esce con album inascoltabili o privi di sostanza per poi rilasciare progetti di qualità con produzione spaziale e con una lista di features incredibile.

La prima parte del progetto è una bomba, ha una serie di canzoni con grandi feature ottime produzioni e strofe da Guè movimentate con molte punchline e ottimo flow, cala un po' nella parte centrale, a mio parere (anche se di poco), per poi riprendersi con ... read more

In occasione dell'uscita del nuovo FASTLIFE, vorrei dire quanto GVESVS effettivamente sia un buon album, ha il giusto quantitativo di belle canzoni da solista, feature straniere che tengono il calibro delle strofe di Guè, canzoni con ritornelli pop che ci stanno, insomma, tutte tracce di significato, tranne alcune tracce 3,4,5 che si prendono troppo vantaggio di avere e non pensano ad avere la sostanza, una strofa del genere non sembra una di Marracash. Still abbastanza solido, e ... read more

from the Macaconero's collection, here is "The Most Dear and the Future" by "ear".

A very abstract album with a very broad soundscape that manages to be lively, chill, ethereal, and indeed...abstract. It was a very interesting listen; each song is very short, yet in those two minutes it manages to show you a little bit of emotion, open to interpretation. In those 16 minutes, it manages to communicate so much, with a fairly varied production and singing that, in an ... read more

it's not THAT bad, but he needs to do some work...

The songs are somewhere between generic love-and-breakup songs with no substance, and something more, a little more structured. It felt much more like an experimental album, although neither the singles nor the album itself inspire me much. On "THE MOMENT", he sounds like Bruno Mars. It's clear he's experimenting with new sounds and styles, even with the production, which, truth be told, isn't bad at all.

Coming ... read more

I listened to it when it came out, during the beef period, and forgot to talk about it...

And rightly so, it's the kind of J. Cole material that seems uninspired, almost devoid of substance. Being a mixtape, and not a more structured and conscious album, it's as if he took his previous album, "The Off-Season," and built on the worst part, "the bragging," which is nauseating on this mixtape. Aside from a few tracks that I consider successful, both for the bragging ... read more

non ho mai sentito qualcuno criticare la società in una maniera così velata e calma, ma allo stesso tempo anarchica.

sentendolo in giro mi ha sempre interessato la figura di Marco Castello, dalla traccia di "MAYA", e recentemente scoperto essere presente sull'album "Bar Mediterraneo"... questo mi ha intrigato molto, quindi questo è il mio primo approccio ad un suo effettivo album. In quest'album sono presenti canzoni con temi ... read more

A collection of "some rap songs" without a strong overarching theme, it's an album that served Earl well after a long hiatus. A very solid project, with very short songs, well-structured rather than left unfinished, and excellent, almost psychedelic production. Really cool, very casual, it rocks.

di base Enemy der Noyz è una bomba

ha delle belle hit iconiche, c'ha quel paio di featuring inascoltabili, e un giusto quantitativo di tracce da solista e con featuring.
canzoni come "Sinnò Me Moro", "Mic Check" e "Borotalco" rimangono alcuni dei pilastri fondamentali nelle argomentazioni per il quale Noyz stesse mantenendo la sua mira artistica alta e fosse in grado di produrre tracce concettuali e di spessore.

This album embodies that nerd funny girl I always meet at techno nights who always goes alone and dances for hours on end like she's possessed by the console.