Okay, now THIS is excessive.
The Strokes return with yet another single that's chalked full of autotune, something commonly seen in Julian's new style he's seemingly adapted. I'm not the first to say it, but it's just too much man. The instrumentation is solid, but it's overwhelmingly let down by the vocals that accompanies it.
The bonus tracks further expand on the already phenomenal album, "Wallsocket"
Fishmonger serves as an excellent starting place for April and her career.
Underscores has quickly become one of my favorite artists in the past month! This debut project has only reinforced that mindset, providing a lovely blend of genres, but primarily, ridiculously catchy hyperpop stands as the most prominent one. I've never listened to 100 gecs before, however; from the bits I've caught from them, it feels like they're written all over this release as inspiration, which I ... read more
Autotune please, Fab.
I'm excited for the next album from The Strokes! I don't mind the autotune being used here, but this song in particular feels like a strange pick for a single. There's not much going for it besides a catchy chorus.
Well... a definite improvement over their previous record, but that isn't saying much.
This project went over my head completely when it was first released, having given it a listen, I didn't really miss that much. It's quite a bit more refined than, "Like All Before You", however I still find it to be lacking any impact that will stick to you after listening.
Russian Coney Island stole the show here, I dig the sound and direction they were going for with this ... read more