First review on AOTY!
It is on the border between Brian Eno's first experiments with Ambient 1: Music for Airports (1978) and Erik Satie's influence in furniture music introduced at the beginning of the 20th century, that the Japanese ambient music composer Hiroshi Yoshimura forged his identity.
Influenced by Fluxus - a contemporary art movement questioning the role of the artist and art in society, of which George Maciunas and George Brecht are both emblematic representatives - Hiroshi ...
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