Evanescence - Sanctuary
75

Sanctuary is Evanescence grappling with the politically divisive hellscape that is our present-day reality. The band refer to the self-destruction and active annihilation of society in its familiar form, the record serving as a cautionary omen warning its listeners of the treacherous path that we are collectively embarking down. If we are not careful, flames and imminent apocalypse will be in our midst, the band surmises, and while it may strike some as relatively hyperbolic, it requires only a ... read more

Dea Matrona - Hate That I Care
75

Dea Matrona's sophomore iteration into their discography is a rather intriguing one. The duo adopt a western ambiance, instrumentals rooted further in ragweed, saloons, and six shooters compared to the general setting ambiguity of their debut. While the girls allow these details to escape their periphery, often allowing their lyrics to elude the focal point they have established for themselves (through modern references to ancient television or mythical sirens songs that, while working in ... read more

Muse - Nightshift Superstar
NR

Did Muse just go... disco???

DeathbyRomy - Manic Dream
NR

There are few that can successfully bridge the metallic gore with the electronic glamour, but DeathbyRomy exceeds what many artists can achieve. One of the extraordinary front women in contemporary metal and hard rock with ease

Madonna - Love Sensation
NR

Well this felt rather tame

Britney Spears - In the Zone
95

This is merely the beginning of the absolute pinnacle that Britney Spears exemplified she could achieve. Her self-titled predecessor was excellent in its own right, indeed, but Britney continues with the distinct progression that was catalyzed with her debut. Each record has introduced a plethora more from many different perspectives. In the Zone ushers in dosages of simplistic sensuality on tracks like Breathe on Me and Early Mornin', something she would opt to expand on in the not so ... read more

Britney Spears - Britney
85

Britney's eponymous third entry into her discography is a movement of established independence concurrent with her frequent glimpses through lustfully promiscuous spectacles. The self-reflective bouts on this record are lyrically the most impressive, with Spears vocalizing the often unspoken conflicts of her transition from childhood to womanhood in a patriarchal society, along with the complex that is derived from such a purgatory considering the burdens placed atop her shoulders. Her ... read more

Britney Spears - Oops!... I Did It Again
70

Oops!... I Did It Again signals an attempt at maturation from those who attempted to carefully curate the image that Britney Spears personified. Perhaps her representation figured that the childhood innocence (from a legitimate teenager, need you be reminded) wouldn't sell records, thus they thrusted her into the role of the temptress at eighteen years of age. While the idea of sexualizing an eighteen year old girl remains abhorrent on the tongue, this record does offer a glimpse into the ... read more

Britney Spears - ...Baby One More Time
55

...Baby One More Time marks the debut of Britney Spears, the pop princess herself, and, quite frankly, one of the most unnecessarily scrutinized celebrities that western media has ever pulverized. In retrospect, it's no wonder that a mere teenage Spears would succumb to the harsh treatment that the music business habitually employs against its musicians akin to a parasite that sucks the blood of its source for life. It regularly finishes in disaster when these artists have their youth ... read more

Paul McCartney - The Boys of Dungeon Lane
40

It's unfortunate that some interesting instrumentation and thoughtfully reminiscent lyricism is suffocated beneath some honestly horrendous vocal instances. I honestly would have preferred to listen to a version of McCartney that was left sonically untouched — it could have contributed to the recollection of yesteryear to have one of the most prolific celebrities in human history recount his trials, tribulations, and experiences with a complete embrace of his elderly age and wisdom. ... read more

Shinedown - EI8HT
20

I would hardly consider myself an avid hater when it comes to Shinedown. In fact, there are actually many tracks within their discography that I enjoy. I cannot speak for their records as a whole (for which I will certainly review in full, at some point), and while I may seem excessively harsh (which could be a symptom of my actively deteriorating mental health, which could be a motive for my distaste at nearly everything I've listened to lately), I can certainly vouch that this is one of ... read more

Saint Agnes - Your God Fearing Days Are About To Begin
70

Amidst the plagues of biblical proportions that encompass our contemporary existence, with dehumanizing political movements, isolationist behaviour en societal masse, and mental illness ravaging a plethora of the populace, Saint Agnes seek to both combat and embrace these tribulations through the inverted invocation of the religious institution itself. A sonic rebellion that aims to thwart the apathetic treatment by governments toward the people they have sworn on a supposed sacred doctrine to ... read more

Faouzia - BIRTHDAY
NR

It's a bit less interesting than anything she did on the vibrant Film Noir, truth be told

Marilyn Manson - One Assassination Under God - Chapter 1
75

A global domestic and sexual violence helpline: https://nomoredirectory.org/

Marilyn Manson - WE ARE CHAOS
65

A global domestic and sexual violence helpline: https://nomoredirectory.org/

Marilyn Manson - Heaven Upside Down
70

A global domestic and sexual violence helpline: https://nomoredirectory.org/

Poppy - Flux
60

Beneath the metaphorical lyricism, Flux is a record that captures Poppy's psyche in a period of both adaptation and realized independence. It effectively grapples with the complications of an abusive relationship, recognizing the hierarchical and violent tendencies that characterized behaviours of such manipulation. While her songwriting focuses intensely on societal shortcomings on I Disagree, Flux witnesses a more introspective dosage of lyricism, with plentiful iterations of comparative ... read more

60

Once removed from her debut effort, ROSALÍA's El Mal Querer reads as a series of anthems conceived as a deck of tarot cards. Each track offers particular glimpses into a relationship filled to the brim with toxicity, presented in the capacity of chapters that accompany the titles. Not only does this assemble the environment in a pristine fashion, but like an assortment of the aforementioned tarot cards, the tracks serves as cautionary depictions, fateful omens pertaining to the ... read more

Marmozets - CO.War.Dice.
60

Marmozets embrace the chaos on CO.War.Dice., but perhaps they underestimate the ability for it to slip from their grasp, at least to an extent. Make no mistake, there are some tracks on this record with palpable energy, with some rhythmic ambiance and some intriguing penmanship, but there are certainly fissures in the written process that produced this record. The thematic focal point would have benefitted from increased refinement. At first, it did hone the realistic qualities of the ... read more

Ακύλας [Akylas] - Press Start
30

Part of what made Ferto, Akylas' Eurovision entry that is also included on this record, as endearing as it was chaotically energetic was his ability to unapologetically incorporate aspects of Greek culture into a medium that would appear otherwise incapable of supporting the sparse disparity of its properties from electropop. Those cultural inclusions are essentially non-existent on his debut record, and eliminates an irreplaceable aspect of charm. The tracks do little separate themselves ... read more

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On AngstyTeen's review of The Stooges - Raw Power
"Yea I generally find Iggy Pop vocally distasteful too. I Wanna Be Your Dog is about all I can tolerate from them"
On Nagi111910's review of Laufey - Bewitched
"Congratulations on three-hundred followers!! And wonderful review!! My main takeaway is that Laufey really could have benefitted from visiting an Ikea"
On Billy01's review of Muse - Nightshift Superstar
"@Billy01 Good. Give into the disco"
On Billy01's review of Muse - Nightshift Superstar
"But... disco!"
On Shayden's review of Britney Spears - In the Zone
"@Shayden That's very interesting! I had no idea George Harrison used those elements so prevalently. It's very fascinating to understand how rooted in Indian music some of his work is. You seem to know quite a bit about it, I bet you could write an article/paper on it. It would be extremely intriguing Also, I will have to look out for those influences once I delve into Madonna's discography"
On Shayden's review of Britney Spears - In the Zone
"@Shayden Are there other artists who utilized similar elements frequently, that you can think of?"
On Shayden's review of Britney Spears - In the Zone
"I hadn't noticed the Middle Eastern influences until I saw you mention them, and now they seem very obvious. She really manages to blend it with dance pop to the utmost perfection"
On The Plague Review's review of Paul McCartney - The Boys of Dungeon Lane
"I didn't care for it much either, but gave it some grace since at this point McCartney can do whatever he pleases in his career twilight"
On Lynn's review of TX2 - End of Us
"DeathbyRomy is easily the best part of this record and that is hilarious considering she is there for like 2 minutes"
On Shayden's review of Katy Perry - Witness
"Chained to the Rhythm has often been a diamond in the rough for me within Katy Perry's discography, though I'm uncertain whether it works as intended in the grand scheme of the record, I haven't (nor do I really intend) listened"
On Britney Spears - ...Baby One More Time
"@Shayden Those are the two that always come to mind for me that received so much abuse at the end of the media's sword. What they experienced exceeded anything I can even think of. The media was deliberately cruel toward them, and actively perpetuated false narratives that continuously harmed them, fully cognizant of their culpability in the assault on both of them, arguably contributing to the death of Michael Jackson for one, and to the literal removal of Britney Spears' autonomy. She was eighteen on her second effort, and already writing lyrics regarding the pain that fame brought. It is absolutely terrible that so many normalized that treatment of her. She deserved so much better"
On Ninedescent's review of d4vd - WITHERED
"@Ninedescent I have been placing this (https://nomoredirectory.org/) link on my Marilyn Manson ratings. I haven't looked into any explicitly attentive to pedophilia, but I would like to believe a sexual violence helpline would be sufficient assistance"
On Ninedescent's review of d4vd - WITHERED
"I tend to agree. Review bombing strikes me as attention-seeking. "Look at me!! I'm against this person!!" The same sentiment is conveyed if one just doesn't engage with the art whatsoever. If I despise the artist I am reviewing on an ethical plane, I simply attach a link to support those who have been victims in similar instances. I am more pleased with offering that assistance, however miniscule it may be, than trying to display my apparent ethical superiority for clicks"
On IloveApples's review of Michael Jackson - Dangerous
"This was a project that cemented himself as a force of pure versatility. He was the King of Pop, and as you mentioned, allowed his drive for perfection to steer him down a completely foreign road. And he excelled. He allowed his morals and ethics to tackle cultural issues such as racism, "human apathy" (as you so intelligently put it), and worldwide mistreatment of the planet. It expands across such a vast array of thematic grievances, and it is superior for it. It's truly perfection. I'm very glad that you enjoyed it for the marvelous masterpiece that it is, and I am pleased to read and reply to your reviews!! You analyze them without a measurable bias, and with a willingness to allow the art to speak for itself. Simply stunning review!!"
On IloveApples's review of Michael Jackson - Dangerous
"DANGEROUS AT 97!!! YES!!! My absolute favourite record of all time. I adored this review!!! It really was a symbolic evolution for the King. It was his first example of completely unbridled creative control, and it is safe to say he rose to the occasion. I was extremely intrigued by your mention of the palpable paranoia that encompasses this record! It is no secret that MJ was perhaps the most paranoid person on the planet throughout his career, and its really interesting to see that terror manifest itself in a romantic context on tracks like Who is It and Dangerous, while also in the context of himself as a celebrity on tracks like Jam and Why You Wanna Trip On Me"
On tistan's review of Kim Petras - Detour
"They're going to come after you, but you're right"
On Lynn's review of Neoni - How To Kill A Fairytale
"I was quite disappointed, too. Death of Daisies was really intriguing, and I felt like their songwriting progressed too. This record has some moments, but overall was more of a regression from a songwriting perspective"
On Olivia Rodrigo - the cure
"@Ciroriberi Exactly. It takes immense talent to allow the momentum to naturally gather the way she does"
On Lynn's review of Franz Ferdinand - Tonight: Franz Ferdinand
"Can't Stop Feeling is a banger"
On IloveApples's review of Marina Sena - Coisas Naturais
"I'm glad you found it beautiful! It was definitely a really serene ambiance that Marina Sena managed to capture — the record has only continued to grow on me since listening. It was my introduction to Latin pop, too, and what an introduction it was. There are so many gorgeous tracks on Coisas Naturais"
On realjulianj's review of Arctic Monkeys - Tranquility Base Hotel & Casino
"It's unfortunate that the Arctic Monkeys have been on the receiving end of such harsh scrutiny on their last two records, especially when it includes some of the most riveting songwriting in the band's discography, courtesy of the one and only Alex Turner, and, in all honesty, some of the best songwriting in music itself in the last decade"
On IloveApples's review of Michael Jackson - You Rock My World
"Very pleased to see Invincible growing on you:) You Rock My World is absolute r&b excellence"
On GVLSCH's review of The Warning - Ego
"@josech5 lmfao cook, I have never understood why people on this site genuinely seek to review things they know they won't like. It's one thing if you go in wanting to like it and find yourself disappointed, but so many people hate review things on this site because they know they won't like it"
On ayayeboo's review of Ed O'Brien - Blue Morpho
"Same opinion here. I can take or leave Radiohead, but this is such a smooth and delicate listen"
On Dσɳ Vҽɾʂαƚιʅιƚყ's review of Olivia Rodrigo - the cure
"My thoughts exactly. I probably prefer a few other songs in her discography, but I definitely echo the idea that Drop Dead was much too middling, and that this is a much more eloquently produced song from Olivia"
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