An album where every feature outshines Carti himself by a long shot, DJ Swamp Izzo (whoever that is) feels the need to bellow his voice on every song, and legitimately good beats are ruined by the driest, most bored rapping I might have ever heard.
Moby locks in by offering something distinct enough from Play, but still capturing the vibe and quality very well.
When Ween make actual music, it's great. When they decide not to (which is often), it's a disaster.
Nothing will really beat Wayne Coyne's feature in 'The Perfect Life' by Moby, but this is okay.
As I go further in, I become increasingly fearful for my life. Great album cover.
James really saves all the weird unhinged stuff for his EPs, doesn’t he? I would like the milkman to get away from me.
The big theatrical pieces are much better here, but some songs don't go nearly as hard.
Not as good as the best song of all time, Chemicals by Sclitch, but still pretty good.
SpongeBob on the first track? Not his best by far, but a lot of fun stuff in here. I sometimes forget that even his less-regarded albums are still all pretty solid.
Nowhere near as good as Blue Lines, but that's a testament to just how good Massive Attack are.