God, I love this band.
On Still Life, Future Teens continues in their signature emo-pop musings on mental health, addiction, heartbreak, depression, and community, but with a more mature perspective. Writing about what happens on the other side, where those hard things still exist but you find yourself sticking around to find out what happens next. In the words of the album's closing lyrics:
"It's new to want to practice staying // Long enough to be part of the changes // Of a ... read more
Quintessential 2010s pop rock. I really love the tone of lead singer John O'Callaghan's voice and there's some really fun guitar work in there as well. I actually find the back half of the album a lot more dynamic than the first half, which mostly follows the formula of the album's singles (Miles Away, English Girls). There is a cheeky humor and carefree vibe that works really well for The Maine when they lean in to it.
Favorites: Am I Pretty?, Another Night on Mars
For their third effort in as many years, One Direction seems to have finally emerged from the post-X Factor, overnight teen idol haze that characterized their first two albums. On Midnight Memories, 1D pulls inspiration from further corners of the pop rock world, making their past work seem one-note in comparison. It's not a very consistent record, at different times echoing The Strokes, Coldplay, or Mumford & Sons, but overall feels like a much more mature take on singingable radio ... read more
Released barely a year after their debut album, Take Me Home is still thematically and lyrically juvenile, lowest-common-denominator stuff, but vocally and musically there's a lot of improvement here. The production feels dated, but it's not a uniquely 1D problem; top 40 pop music in 2012 just had a very distinct sound that hasn't aged particularly well. We have to remember that what was being sold with vocal groups at the time was not the music itself, per se, but the celebrity ... read more
Chappell Roan and The Last Dinner Party had a baby and their name is Madonna