Prever o próximo passo de Rosalía é, no mínimo, difícil. Em El Mal Querer, mesclou o flamenco com o pop contemporâneo. Em Motomami, reggaeton e eletrônico. E em Lux?
O vídeo que Rosalía com a Orquestra Sinfônica de Londres postou dias antes do lançamento de Berghain já sugeria a presença de elementos da música dita clássica. Como amante de orquestras, fiquei entusiasmado, mas nada me preparou ... read more
This album offers a glimpse into the life of a showgirl, but it is a detached one, removed from reality and, worse still, from her own standards.
Taylor's decline in quality has always been attributed to her long-standing collaboration with Jack Antonoff, but this album clearly shows that Swift is the one in control, not the producer.
Although Max Martin and Shellback produced the album, their influence is barely noticeable. Their unique, glossy, overproduced sound has made way for ... read more
It could easily have been a Taylor Swift song... and I'm not sure if this is a good thing.
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