This is the 7th rendition of this review's intro. It's not like Neutral Milk Hotel's cult classic has nothing to talk about, but rather that there seems to be no way to open a review that would do this album justice. It seems that everyone has given their two cents on the 1998 multi-genre project, and everyone seems to think of it in a different way: the 4chan hivemind hold it up as this infallible record that serves as a paragon of unachievable perfection, Robert Christgau shrugged his ... read more
A step down from The Melodic Blue - Baby Keem is consistently the weakest link on his own album here. There are good tracks (I liked 'No Blame' and the title track a lot) and the production overall is top-level, but to balance it out there are some real clunkers on the tracklist here ('Birds & the Bees' and 'Good Flirts' really feel more like "Baby Keem trying really hard to flirt while forgetting how many days there are in a week" and "Baby Keem ... read more
Following up from Not Your Muse, a very dynamic and relatively more upbeat debut with a more outward passion in her voice, Celeste seems to dial it all the way back to let her voice, her ideas and her heart guides the way. Melancholy and heartbreak informs the sonic direction here, and the instrumentation gave way to soulful refrains with a signature British twang. While it does seem to run out of juice towards the end, Celeste turns yet another face and gave us a rousing dual-closers in the ... read more
Thoroughly, thoroughly disappointing from one of the more consistent rappers who just put out a truly incredible project. I expected something in the same vein of Few Good Things - and that's what I got, a bunch of offcuts that didn't make the album proper. Experimentation seems to be the main purpose of this mixtape, and while there are nuggets of good tracks and good ideas here and there, it feels like a waste to throw all of it out in such an unfinished state, muddled by weak ... read more
A Tyler album that is intentionally less - less cohesive, less of a persona, less polish. In some ways, this is a new frontier for his music. Decently well executed, as we've come to expect from Tyler, but I do not think I would return to this album as much as I would his previous works.
Tyler is at his best here when he expands upon the grittier, darker sound we've seen in bits and pieces on Chromakopia or his recent verse on the Clipse project - I enjoyed 'Big Poe', ... read more
'Since nobody else wanna do it, I guess I gotta put my city on the map'. And they did exactly that: with this long-awaited project, Saba - with ample help from legendary producer No ID - delivered possibly the best Saba project to date, and an early contender for not just rap, but overall album of the year.
It's certainly not a record that came out of nowhere, nor was the quality surprising - Saba has been on my radar as a rapper with great talent since "Few Good ... read more