Wtf am I doing man, I haven’t even touched the new Tyler album I’ve just been bumping this

I am very biased

Let’s do hard drugs! 🤗🤗🤗

How the fuck did she bring emotional weight to the phrase Live Laugh Love?

I like the funny yellow EP

This album’s atmosphere is so warm and pretty and sad and synonyms and I feel like I have so much more to say about it but don’t know how to put it into words. This is by far my favorite of the early Low albums. The vocals are incredible, the use of subtle feedback and ambience is incredible (especially on Coattails), the building tension on songs like The Plan, Laugh, and Stars Gone Out is honestly flawless, Dark is the only song I don’t really care for but that hardly even ... read more

Stars Are Projectors sounds like your stoner friend rambling about nonsensical bullshit in the first half but then the second half is one of the coolest psychedelic instrumental segments I’ve heard from any song.

Overall this is probably my favorite sound from the band even though I like lonesome crowded west more as an album. Probably the most consistent modest mouse album too, I don’t think there’s a single song on here I have any complaints towards.

What People Are Made ... read more

Not quite as consistent as Soft Bulletin (It’s Summertime and Approaching Pavonis don’t do much for me) but the concept is so bizarrely fun it’s practically just as good. Morning of the Magicians is underrated as fuck, the drum beat on that song is ingrained into my soul.

Title track is peak, everything else just feels like early drafts of songs that’d be perfected on Moon & Antarctica or the yellow EP I forgot the name of.

Wait how has no one reviewed this album yet? This is some of the best breakcore I’ve ever heard, several of these songs feel like they convey genuine hurt and yearning, this type of breakcore doesn’t feel formulaic at all.

These songs are brilliantly structured, with layers of drum chops being gradually added throughout the runtime of many of these, building intensity to a sometimes overwhelming peak. “when i die” and “cutting off the wings of my guardian ... read more

Atmosphere’s pretty strong, especially throughout the interludes, but none of the songs really feel like highlights for the band. Album cover’s cool tho

I didn’t care for this song all that much at first, mostly since it wasn’t anywhere close to the direction I thought underscores would go in so I was somewhat taken aback.

I’ve since revisited this song about a dozen times without even really knowing why so I guess I’m obligated to change my mind on this one lmao

Bouta see them play with modest mouse in about a month so I figured I might as well review as much of both discography’s as I can.

One of the comfiest sounding albums I’ve heard. There’s something so corny and goofy about Flaming Lips’ songwriting but for whatever reason it’s still powerfully effective, especially in songs like Feeling Yourself Disintegrate or Suddenly Everything Has Changed.

Also extremely consistent, there’s not a single song I moderately ... read more

Very jovial sounding but also most of the time brinking insanity

This tracklist is so damn consistent that Give Life Back To Music is somehow my least favorite on the album. Giorgio By Moroder and Touch are legitimate masterpieces, Get Lucky is a banger I still somehow haven’t gotten tired of, Beyond is probably the most underrated song in Daft Punk’s entire catalogue, and Contact is such a perfect way to kill off Daft Punk as a whole I’m surprised they didn’t reuse it for their epilogue video.

This album is ambitious too, they go ... read more

One of the most energetic, dopamine infused EPs I’ve heard.

Underscores is really good at making bite sized bangers with replay value baked into every fiber of each song and that’s still apparent with this EP. It’s kinda hard going through favorites and least favorites with this one since there’s not really a song or moment on here I don’t like. If anything I wish some of the songs here were longer, like everybody’s dead and gunk feel like they’re ... read more

Listened after hearing the live version of overtime and assuming this was a self serious jazz-funk-ish band, my bad I guess. Can’t remember the last time I was both pleasantly and unpleasantly surprised while listening to something.

I’m excited for this band to be the next thing I get way too obsessed with for a month before seldom going back to, modest mouse was starting to get old anyway.

Weirdly enough one of the few instances where I like the interludes more than the full songs. Skincare/ii, displacement of reasoning, and the second half of you look pretty good in that are really effective in conveying the awkwardness and anxiety of remaining closeted after discovering this kind of shit about yourself.

When it comes to full songs, it’s kind of a mixed bag for me. Regulate you and fka are great, even if they’re paced a lot slower than what underscores would go on ... read more

Damn dude I wanted to be the contrarian so bad.

There’s a few moments on this album that manage to recapture the magic of Good News and We Were Dead but everything surrounding it feels so soulless it only barely feels worth it.

I’ll start with highlights I guess. Lampshades on Fire is pretty decent, doesn’t have quite as strong of an infectious danceable energy as Float On or Dashboard did but it’s fun enough. Shit in Your Cut was the biggest surprise for me, I like ... read more

I was not familiar with KNOWER until I heard this EP but Ima do a discography dive soon cause that second half of overtime might’ve exorcised something within me.

Overtime and Time Machine go fucking crazy, Same Smile (Different Face) was kinda whatever up until the last 30 seconds which were angelic, made the entire song worth it for me. The last track is the only one I didn’t care for but even the ending of that song went kinda hard.

If anyone has any recommendations on which ... read more