![kinoue64 - 空間、事情、時間、事象 [Space, Circumstances, Time, Events]](https://cdn2.albumoftheyear.org/100x0/album/514433-.jpg)
I enjoyed this quite a bit. I think miku's vocals suit this kind of dreamy shoegaze sound very well. It really adds to the sense of this coming from another world. Would definitely recommend if you want a relaxing shoegaze album to chill out with.
Don’t know if I’ve ever heard a song about divorce from people this young. Love how Gumi is tuned, especially for those high notes near the end.
Really impressed with this album. Lyrics have the same depressed 20 something charm as their new project, but feel a little more pointed and singer-songwriter-ey. The instrumentation is as impressive as ever, with their sax player in particular going off. Really liking the chill orchestral interludes as well, they really fit the album and help the pacing. Would strongly recommend if you enjoyed the new album!
Very relaxing album that doesn't sound like anything I've heard before. Cosmo's vocals were a surprising highlight, and they fit in super well with the dynamic instrumentation. Felt like every track had a different sound palette while still feeling cohesive. That being said, I wasn't "wow-ed", I suppose. Maybe with time I will come to love it, but my first impression is that it's very good but not my cup of tea.
The best album to soundtrack me slowly realize I’m not gonna finish my homework by midnight. Also, 54 minutes of balls to the wall metal music with some of the best guitar playing I’ve ever heard.
The first single from my college friend's band. The bass line is insane and the drumming compliments it really well. Think the song is at it's best in the second half when the whole band is jamming out. Great stuff, can't wait for "The Tides" to release.
Really creative indie project. Wears it's influences on it's sleeves while still feeling unique and interesting. The way it dances from track to track, you never quite know where it's going.
Really had to ruminate on this one, but it's grown on me. Sweet as sugar.
All the new tracks are excellent. Jamie Paige is proving that vocaloid music still has so much room to grow and develop and it's awesome.
This album has been on my radar for about a year now, and with Jamie Paigle’s recent work catching my attention, I finally got around to listening to it. It’s really sweet little project, but I think her new work is definitely more dynamic than this. That being said, it’s definitely worth a listen if your a Jamie Paige fan.
![Ado - ルル [RuLe]](https://cdn2.albumoftheyear.org/100x0/album/995215-rule_161225.jpg)
I can not get over how good Jamie Paige makes vocaloid sound. Also, the composition is so lively and colorful it brightens up my day with every play.
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Recent Review Comments
On yamaha - without a choice in the first place, crystallized in time
"@locustpupil Is this true? Bought the album, so if it is, they got my ass."
On Remblob's review of Jamie Paige - Constant Companions (Deluxe Edition)
"A second 100 has hit the Remblob AOTY... Paige?
Glad you liked it!"
On Bacolytic's review of Chappell Roan - The Rise and Fall of a Midwest Princess
"get a load of this guy"
On Sufjan Stevens - Carrie & Lowell
"@SnowstormJones I had expected it to click with me more because it's themes generally appeal to me, I enjoy this indie folk sound, and the only song I'd heard from the album beforehand was great. Still enjoyed it, but I was hoping for more."
On chrometheboss's review of Porter Robinson - SMILE! :D
"Bro took a 2 year break from drake glazing just to come back for this."
On Bridget's review of Porter Robinson - SMILE! :D
"This is great rage bait from a definitely real account."
On DonOlatunji747's review of Björk - Vespertine
"This is definitely a real account made by someone over the age of 16. Surely..."
On Kedberg's review of Kendrick Lamar - meet the grahams
"Wait, this might actually be a bot lol. This is their only rating."
On Remblob's review of Car Seat Headrest - Twin Fantasy (Face to Face)
"But regardless of all that, it just does a great job wrapping up the concept of the album. I don't think I can express what makes the song so good in words, but just trust me when I say this: give the album another listen. It doesn't have to be soon, but genuinely feels like you are missing something. Maybe I just have a greater tolerance for long songs, but I doubt that considering I have historically disliked long songs."
On Remblob's review of Car Seat Headrest - Twin Fantasy (Face to Face)
"I'm glad you listened to peak, but alls I'm saying is Famous Prophets is in my top 3 CSH songs. It didn't really click for me on my first listen but I've found it to be the most rewarding on subsequent listens. To be honest, I'm not really sure what you mean by it not being dynamic enough though. It has a similarly complicated song structure like Beach Life-In-Death, and has significant development over the course of it's massive runtime. It also calls back to previous tracks, like with the "The ocean washed over/open your grave" line from BLID, the painstar from Nervous Young Inhumans, and the opening lines from My Boy repeated on the drop into the ending monologue. (continued in next reply lol)"
On Remblob's review of Madvillain - Madvillainy
"Bro listens to PEAK. I can't believe I haven't sat through this whole album yet myself."
On Remblob's review of Death Grips - The Money Store
"This is exactly how I felt on my first listen lol."
On Remblob's review of Ado - 狂言 [Kyōgen]
"Yeah I don't get complaining about lyrics if you can't even undertand them. Only if they are genuinely problematic or something. This critique of Ado has always bothered me."
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