As Courting's debut album begins with the very glitchy, almost hyper pop-esque 'Cosplay/Twin Cities', it seemed like this would be a drastic left-turn from their earlier EP 'Grand National'. However, by the third track, 'Loaded', 'Guitar Music' feels like more of a refinement of their art-punk sound, while taking enough risks sonically to keep things interesting and fresh.
Despite an overload of electronic sounds, there is a rawness in the album as well, exemplified by 'Crass (Redux)', while ... read more
I was more than a little disappointed the last time I listened to Suede, which was also the first time, with their album Bloodsports. The songs there seemed to blend into a homogeneous blob of Brit-pop and glam-rock. So I was a little apprehensive while getting ready to listen to their latest, Autofiction.
There are some problems with regards to the songs being unable to be distinguished from each other in this, however, there are some standouts as well, like She Still Leads Me On, where the ... read more
It starts out strong with I Don't Know How I'll Survive and Roman Candles, providing kaleidoscopic explosions and raw energy across. However it starts to run out of steam really fast across the rest of tracks, offering scant memorable moments.
Blending in aspects of late 80s and early 90s alt and indie rock with performances more akin to the singer-songwriter of the modern age, Horsegirl serves up an album of solid, if not spectacular, songs.
Trying to bring reviewing here back, since I don't have much to do nowadays
I really like the absolute raw energy and the genre-blending they bring across this album. Even the vocal performances are charismatic and shit-stirring. I just wish that the vocals themselves weren't so indecipherable because they do have a lot of interesting things to say in their lyrics, but I had to read the lyrics to get what they were saying (I know it is a "me" problem). It just ends up pulling me out ... read more
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