THIS IS NOT AN EXIT does alt-pop… okay I guess, but it also offers nothing new or exciting to the genre.
get up come on get down with the trumpets
you mother get up come on get down with the trumpets
you fucker get up come on get down with the trumpets
madness is the gift that has been given to me
If you like tacky synthetic horns, unbearable raps and DEMONDICE features, then FAKE SWING 2 might be your jam. Everyone else, stay far away.
Be With Me is so silly and so (intentionally) airheaded it ends up being really really fun.
Maybe there’s something I’m missing but to me Isn’t It Now? just sounds really flavourless and drawn out.
The only lowlight of AS Tearless is literally how terrifying the cover is.
Straight To The Morning is a hell of a good time, plain and simple!
Not what I’d expect from a Eurovision song but very good. I’m not into the lyrics but the production is trippy and abrasive and I absolutely love it.
What They Say is throwaway Eurovision sludge. It’s just another anthemic chart-friendly sad-young-white-guy-with-a-guitar pop track that everyone else is doing already.
D.G.T. (Off And On) is certainly unsettling, but not to its detriment. I honestly found it much more interesting and engaging musically (and lyrically) than I was expecting. However I do also think it falls apart slightly after the halfway mark and becomes somewhat of a mess.
Who The Hell Is Edgar? is a lot smarter and better written the majority of songs you typically get at Eurovision.
I Wrote A Song feels tailor-made to play relentlessly through the loudspeakers of British supermarkets until the end of time.
Solid, carefree, nu-disco fun doesn’t get any more solid, carefree and nu-disco than Dance (Our Own Party).
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