slower and sludgier version of filth. great atmosphere but not nearly as memorable

wow. far far better than expected. lyrics are definitely not my thing along with the mildly whiny delivery but the mathy instrumentals are phenomenal

if you like getting smacked in the head with a lead pipe repeatedly in a muddy ditch this album is for you

SODA!!!

just because something is provocative doesnt mean it has artistic merit. sometimes a piece is just fucking depraved and despicable and thats why its provocative

am i crazy? what does everyone see in pavement that i dont? i like cut your hair and the final track and thats about it.

black country refuse to be pigeonholed into a slint-shaped box on this album, merging post-rock crescendos with arcade fire-esque chamber pop and carving out their own sound. its worth the hype and then some.

endlessly enthusiastic pop punk banger after another. jeff rosenstocks talent and energy are palpable here. not one song less than great

jpegmafia puts forward a his best-ever collection of masterful beats, and sublime vocal delivery.

yes the bars are corny but i find it endearing.

has a thick, ooey-gooey atmosphere that enthralls you from the first song. archys lyricism is poetic and empathetic and his delivery is provocative. this album deserves the world

the concept of fun encapsulated in music form and stretched to over an hour. never a dull moment

maybe the most mind-blowing toe-curling jazz experience ive ever had. charlie mingus was a wizard. the trombone feels alive.

this album is so good i want to meet masayoshi takanaka