Ugly, compelling, and overpowering, Cop remains the pinnacle of Swans' brutal early days.
โจ๐๐๐ผ๐๐ ๐ฟ๐๐๐ ๐ฟ๐๐๐ #02โจ
โ'Filth's more annoying cousin I'm afraid.
๐ญI was pretty excited going into 'Filth', and guess what, my optimism quickly went to zero, and I was praying for the same not to happen here, but I have been informed that they do here basically the same, what they did in their debut, so trust me guys when I tell you that I was scared going into this one.
I'll be the realest mf out there, when I tell ... read more
Before: I'm genuinely scared to listen to this after Filth. It can't get heavier, it just cant. There is no way.
After: Oh thank god. But holy shit those last three tracks fucked me up something GOOD.
It's a pretty decent follow up to the insane Filth. This might take a while to grow on me, but I honestly kind of prefer Filth. Obviously there is so much good here that I can't just dismiss it all as just "another heavy Swans record", but it's hard to live up to expectation after ... read more
yeah, i like Cop even less than Filth. honestly, it's really frustrating to me. everyone really enjoys these older, more industrial Swans records and talks about how heavy, uncomfortable, and unsettling they are, but i just don't get any of that really. the only thing these albums make me feel is bored if i'm being 100% honest. Cop is really, really boring.
Cop shares pretty much the same sound instrumentally as it's predecessor, Filth. it's dark and repetitive, with little instrumental ... read more
Cannon-fired percussion, rumbling bass, claustrophobia at its best!
Noise rock that lurches in place and relies on the pure volume of the playing, characteristic of Swans' early production.
2/17 Swans Dive:
This is bad. Which is weird in the case of the swans.
Almost every song sounds the same and it's not even a good type of song.
please swans make me love you.
Every song sounds the same EXCEPT title track and half life
Other than that it's just growling and frantic playing