The extremes work better ... be it Cyrus's eyebrow-raisingly raw trawl through Metallica's Nothing Else Matters or the vocal and piano pyrotechnics which course through Young Thug & Nicki Minaj's Always Love You.
Elton John brings a wildly eclectic set of collaborators together for The Lockdown Sessions. It’s pure 21st-century pop, spiked with John’s vocals and piano.
All in all, ‘The Lockdown Sessions’’ all-bets-off stylistic game of spin-the-bottle feels attuned to 2021’s post-genre Spotify world, as Elton continues to further his musical universe.
The music legend spent lockdown making new musical friends — it was well worth the effort.
While Sir Elton contains multitudes I’m not sure hip-hop is his strongest suit.
It Sellotapes together 16 collaborations that bounce between genres, and between covers and originals, in a way that risks staking the listener back into 2020’s weirdly scattered and out-of-time mindset.
There are sparks in some of these team-ups, but not enough for The Lockdown Sessions to catch fire.
Even if this project probably won’t give us any fresh entrants into the large canon of classic Elton songs, The Lockdown Sessions is still a glowing testament to his enduring pop gravitas.
On The Lockdown Sessions, a rum selection of Zoom collaborations with everyone from Dua Lipa to Lil Nas X, that old keenness is still there, though only on “It’s a Sin”, his Brits team-up with Olly Alexander, and remarkably a posthumous duet with Glen Campbell on “I’m Not Going To Miss You”, is it matched with real emotional heft.
This album of collaborations with everyone from Stevie Wonder to Nicki Minaj is by nature disjointed – but fun.
If Elton occasionally recedes from the spotlight, The Lockdown Sessions demonstrates how he remains a powerful presence in pop even when he's in the midst of a farewell tour.
伙计,这个社会信用体系已经失控了。起初,这很有趣。我们认为它永远不会被实施。但你看:现在他们已经把它变成了现实。这几乎比一个全面的君主制还要糟糕。我已经看到有人因为没有正确地升起国旗而被杀。我再也不能忍受了。
我所做的一切就是听K-Pop ???? ... read more
Midton john: the story of elton being the guest in his own album
Alright alright alright, 2 good songs (especially chosen family), 3 bloody awful songs, some mid tracks and the rest is not even elton john's work. They're just other people's songs with elton john just playing piano, like we get it you can play piano, and sometimes you can't even here the piano like where the hell is elton john in miley cyrus and lil nas' tracks? Also "it's a sin" is just bonnie tyler's holding out ... read more
I never thought an Elton John record could make my ears bleed. He's autotuned, he's remixing his classic hooks or riffs into completely new songs, so terminally over-produced its like listening to two different songs at the same time. You're thinking, one of the Stevie's had to come through for him at the very least. Not even close. Both Nicks's and Wonder's immense talents are buried in the mix and rendered pointless by the horrible compositions and style choices. The rest of these features ... read more
its sad to see a legend like elon john ruining his music legacy with albums like this
1 | Cold Heart (PNAU Remix) 3:22 with Dua Lipa | 67 |
2 | Always Love You 4:17 with Young Thug, Nicki Minaj | 24 |
3 | Learn To Fly 3:31 with Surfaces | 51 |
4 | After All 3:28 with Charlie Puth | 52 |
5 | Chosen Family 4:40 with Rina Sawayama | 71 |
6 | Gorillaz - The Pink Phantom 4:13 feat. Elton John, 6LACK | 66 |
7 | It's a sin (global reach mix) 4:44 with Years & Years | 50 |
8 | Miley Cyrus - Nothing Else Matters 6:35 | 70 |
9 | Orbit 3:28 with SG Lewis | 50 |
10 | Simple Things 4:11 with Brandi Carlile | 50 |
11 | Beauty In The Bones 3:50 with Jimmie Allen | 35 |
12 | Lil Nas X - One Of Me 2:41 feat. Elton John | 69 |
13 | E-Ticket 3:18 with Eddie Vedder | 45 |
14 | Finish Line 4:24 with Stevie Wonder | 61 |
15 | Stolen Car 5:37 with Stevie Nicks | 53 |
16 | I'm Not Gonna Miss You 2:56 with Glen Campbell | 40 |
#29 | / | Billboard |