What an experience. This album starts off great with For Whom The Bell Tolls, then it goes into kind of a generic trap/rap thing with some good lyricism. then change was pretty awesome and great and everything, then it was kinda mid again, then she's mine pt. 2 was really good, and then
4 Your Eyez Only is a song that makes you think not just about yourself, but about your parents, the ones who love you, and the ones who have been around you your entire life. These people have raised you, ... read more
This album feels so carefree and joyous, and I really respect that for an album that set so many new standards for non-violent rap that wasn't common or liked at the time. In other words, I respect this album. There are just some things here that definitely needed to be ironed out in my opinion. Some of the rapping performances from the three artists get stale over time. The production from Prince Paul is an absolute slam dunk on every track, though. Especially Eye Know and Me Myself and ... read more
great collection of music to be added ontop of CMIYGL. better on average than the actual album.
best songs: SORRY NOT SORRY, BOYFRIEND GIRLFRIEND, WHARF TALK
got slightly worse. some pretty unimpressive performances at times with some fantastic highlights. some of tyler's most lively work with some real soul put into it and some tasteless white filth, like what crawls inside of mcdonalds chicken nuggets. happens.
favorite songs: manifesto, hot wind blows, rise!
imagine regressing so much in just 2 years. whether it be ego or simple musical degradation, this is not good at all. Repetitively middling is what i'd call this thing. there are some rare good moments. I like Burning Hammer and The Ghost of Emmitt Till enough for just being different from the norm. Yen's also good. besides that its all mid from here twin. i guess he succeeding in making a better album then Earl's low ass bar he set with utility.