While many parts of this are different from the previous works from tsubi club, the collective work from this project is incredibly solid and among the best tracks released by tsubi club of all time. The productive is unparalleled, the instrumentation is incredibly solid, and while not as present here as it was on previously released tracks, the vocals are still incredible when they appear. There's a lot to digest on this despite it only being 27 minutes long.

This was a fun listen, but I definitely don’t appreciate it in the ways many other listeners do. There wasn’t a lot here for me to grasp on to and find compelling. It felt like it was lulling me to sleep more than providing me enjoyment.

This record has a very definitive aesthetic to it and it’s consistently quite solid throughout. There’s a few weaker tracks on here causing the continuity to not be as enjoyable, particularly “End of Days” and “Oshun” weren’t my favorites. I really loved “PsalmSing” though which brought my rating up a little. Overall a fun listen, but not a lot of these tracks left a lasting imprint outside of the aesthetic of the project they’re apart ... read more

I’ve never been a fan of the vocals provided from this band. I feel like they are lukewarm and always the most lacking part of the composition. This project also happens to suffer from lackluster and underdeveloped instrumentals on a lot of these tracks. I don’t find anything other than the intro track to be even remotely compelling on this project.

This is one of the best things I’ve ever heard in my life. The first 7 tracks are genuinely in a league of their own which shocked me because I’m infamous for hating long tracks, but “Venice Bitch” was still unfathomably good. After that run is over, the record does get slightly worse for me, but as you can tell by the score, it isn’t a huge decline. Overall this project is beautiful, the writing is stellar, the instrumentation is top notch, and the vocal ... read more

I rated this project a few years back, but I never gave it a review, so here goes. I think 'Blood Bunny' stands on solid ground for its time, but it definitely hasn't aged as well as I would've hoped. A lot of the tropes on this record have become overdone and were already slightly on that path by the time Chloe started touching them too. There's a lot of charm on a project like this, but the sound is a lot worse and more tacky than I remember it being.

This have heavy 'Blood Bunny' by Chloe Moriondo vibes.

Pretty average, nothing innovative.

I’ve always been a fan of his music, but never gave this full LP a listen. Really enjoyable project that has a few missteps here and there.

1. One of These Days: 7/10
2. Critical Mass: 8/10
3. Subject to Change: 7/10
4. Long Way (Interlude): 6/10
5. Disappear: 8/10
6. Pigeon and the Dove: 8/10
7. Anna Donia: 7/10
8. Eyes of the Saint: 7/10

This was a hard listen and quite an unenjoyable experience to get through, with only one track being enjoyable and quite a few being irritating.

Pretty fun listen.

I don't see the vision that many other listeners see on this record. I found it to be quite boring and lack any compelling features.

This was a lot more enjoyable than Kanye's first LP, but I still had a lot of issues with it. I'm really not a fan of the skits and they remove a lot of my immersion. This record is also far too long in my opinion, 21 tracks is way more than I really want on a record, even from artists that I adore. Overall, there's a lot of good, particularly "Heard 'Em Say" and "Touch the Sky", but there's also some quite poor tracks on this one.

I've already listened to almost every Kanye West record (except for Vultures 1, 2, and Donda 2), so I'm coming back to leave my reviews on them all. This project is really interesting for me because people love it and I simply don't. I think all the interludes ruin it and add nothing, their contributions are all entirely negative and they ruin the sound of the good tracks. Additionally, I think other listeners found everything else on this project much more compelling than I did ... read more

This is my first record from Kanye West that I've listened to since his whole neo-nazi stuff went on. If he's telling the truth about being Bipolar, I understand things a little bit more with context, but he still has to prove things with actions a lot more before I think I'll trust him as a person. Personalities aside, this record is his best project in a while. I've heard singles off his other recent works and they don't do anything similar to this, especially his ... read more

This record is incredible and has very little that I dislike about it. I found "Light Leaks Through" and "Roses + Thorns" to be the most boring on the entire project, though they were both still quite listenable, aside from that there's really nothing bad that I have to say about this project, it's beautiful.

Everytime I think this band has reached their peak, I discover a new project of theirs and become pleasantly surprised with their talent. This project is by far one of the best records from Free Throw since 'Those Days Are Gone', potentially even surpassing it for me, though I understand why it wouldn't for others. There's a lot to enjoy on this one, give it a listen.

1. Missing No.: 9/10
2. Mike Nolan's Long Weekend Featuring Bad Luck: 8/10
3. For Those Who Come ... read more

A tad bit long, but really fun. I love having almost all of the works from this band in one place, it's pretty rad.

1. Little League: 8/10
2. Oh Messy Life: 8/10
3. Puddle Splashers: 8/10
4. Flashpoint: Catheter: 9/10
5. In the Clear: 9/10
6. Yes, I Am Talking To You: 9/10
7. Basil's Kite: 10/10
8. Bluegrassish: 8/10
9. Planet Shhh: 7/10
10. The Sands Have Turned Purple: 8/10
11. Precious: 7/10
12. ¡Qué Suerte!: 9/10
13. Take On Me: 7/10
14.Tokyo: 7/10
15. Ooh Do I Love ... read more

The middle section of this project is quite mid.

There’s a lot of good about this record, but a same-y middle section really brings it down quite a bit for me. The start is generational, having some stellar tracks, and the closing track is one of the band’s best. Unfortunately, as I mentioned, the middle of this record really isn’t great. It all sounds the same and pushes no unique sound or ideas at any point.