This compilation is the second in the Deutsche Elektronische Musik series. The more I study the Krautrock movement, the more appreciation I develop for the music on this disc and its three companions. A retrospective of the experimental approach to music making by a fine assembly of Germany's more accomplished EM and Krautrock musicians. I found this release in the public library, which is a gift in itself. Metro Portland, Oregon librarians have excellent taste across a broad array of ... read more
I'm at a loss for words to describe this mess of Synthetic Pop a la Matty. Several songs meld Rock 'n Roll styling with Synthpop. The track, 'COOL' in particular, is an example of what I'm referring to. Imagine that John Lennon, in the early days of the Beatles, added synthesizers to his Rock 'n ' roll tunes. Not happening. Sorry kid. Take your privileged life and keep it behind soundproof walls in perpetuity, please. What? [excuse me, my love is reminding me ... read more
Radiohead's guitarist does very nicely over seven tracks of hybridized Art Rock/Chamber Pop with a sprinkling of Psychedelia to keep the listener enthralled. Peace. - @daFigz™
An absolutely brilliant Radio Massacre International (RMI) album that came to me by chance. Lately, I've been sampling Ian Boddy's DiN label ever since discovering the DiN60 iNDEX06 compilation a couple of months ago. The album is made widely available on a popular digital download website, where you can stream, sample, and/or purchase it. From the start, RMI comes out flourishing with spacey soundscapes and compelling Berlin School rhythms. The cover art perfectly depicts the music. ... read more
AOTY's @tha138 says it best, dialed completely in on the shameless capitalist model of profit for profit's sake. Both Ferry & Roxy Music are well situated in my library. Somewhere deep in my memory bank are the recollections of attending live performances for both. Having met Mr. Ferry in Seattle, I found him instantly likable, cool, genuine, and appreciative of my compliments. However, one of his high-nosed blonde orchestra members did her best to attempt to embarrass us fans. ... read more
BoC's "Inferno" is moody, veiled, haunting, cerebral, atmospheric, like fog hugging the ground, invoking a sense of immersion that draws the listener in. Track ten is interesting, with subdued D&B percussion followed by a woman's voice, which leaves it a mystery what she's on about. I don't have a lyric page, which limits my Knowledge. Thematically, the album remains connected from track to track, which makes listening less of a chore and more of a reward. I ... read more
A new Karfagen release by Ukrainian Neoprog composer & arranger Antony Kalugin. The guitar presence often sends me running. However, with this album, I'm going to open my mind up and receive the music objectively. The lineup on this album is staggering, given the number of talented musicians who contribute to the realization of Kalugin's sonic vision. Thanks to AOTY's @NTTR for posting his review. My score will come later. Right now, I'm headed to my garden to prep the ... read more
The track list comes in two iterations. The simple numeric example posted here and the one on the Bandcamp page that spells out each track time. E.g., Track Two is Five Fifty Eight yet plays for 06:01 minutes. It is a fun record. Weird. Left Field. Whatever you want to label the music as, represent it in your mind because it's your mind, you dig? Ben Edwards, aka Benge, used the following equipment: Moog Modular 3C, Minimoog, EMS VCS3, Akai S950 sampler, Emu Emulator 2, Yamaha CS40M, ... read more
Essentially, this album is a twenty-year compilation of analog synthesizers designed to expose the listener to each instrument's distinct sound. I find the album conceptually succeeds in presenting the chronology of machines from the late 60s to the late 80s, which is a great reference for musicians exploring the use of electronics in their music. Quoting Brian Eno, who said, "A brilliant contribution to the archaeology of electronic music," should serve as a solid invitation to ... read more
AOTY's @Coconut00 stated my sentiment as I find myself waxing nostalgic for the 80s synth sounds- especially from maverick composers such as Vince Clark & Neil Arthur. Quoting AllMusic's Liam Martin, "Together (Doublespeak) they indulge in reimagining their favorite tracks by stripping them back to analog electronic versions," is exactly what the trio accomplished. The opening track, "Back To Nature," is decent enough as a Fad Gadget cover. Benge (Ben Edwards) ... read more
I discovered that by staring at the cover art for at least 60 seconds, the Koi fish suddenly appears three-dimensional. This optical illusion invites you to interpret what you see, encouraging critical thinking and personal insight. Of course, if I stare at the sweetie at the grocery store long enough, ugh, she'll call the store security, who, in turn, will roughly shove me around until I go mental and, with a single thumb thrust, end the aggression. Now, class, in your own words, which ... read more
Today's latest AI befuddlement- is Promptgenix AI? This album hits hard like the antithesis of Ernest Callenbach's brilliant "Ecotopia." Mixed metaphor, you say. Hmm? Yup. Probably. "I don't care", said Felon 47. #FDJT Excuse my random access consciousness, glaringly obvious in this review. The addition of the banjo adds an interesting Bluegrass element to what otherwise comes off as brilliant Hard Rock. Bezo's is currently profiting from the band's ... read more
Neil was waxing mellow during the time of this recording. Overall, the album reflects his momentary contentment. - @daFigz™
Former history instructor Bob Pollard leans a bit too far in pursuit of the DIY hysteria currently contaminating recorded music globally. - @daFigz™
The compiler(s) get a perfect score for entertainment value alone. As to Pollard's abstract songwriting, I say quit smoking. Eat better. Drink less. And please experiment with more non-sequiter lyric writing because tractors, rape, and chains are just too bizarre to have to continually explain to the English majors in my life what exactly Bob is writing about, despite my repeatedly offering that the non-sequiter lyrics are an example of poetic license. [pauses, drawing a deep breath] ... read more
This album rocks hard AF. But, how is it, Progressive Rock? Arena Rock. Stadium Rock. (Possibly) Alt-rock?!!? The production values are highly polished. Sanitized, which means cleaned to such a degree that it becomes susceptible to major biotic infection and certain death! [pauses] Well, not death. It's an interesting album from Colombia. Columbia is where the Bolivian Marching Powder became Medellin's primary export, if you didn't already know this interesting piece of trivia. ... read more
One, Aldous is on the 4AD label. Not the Ivo Watts-Russell era, but 4AD regardless. Her LP "Designer" is absolutely brilliant. This album, well, to be frank, isn't all that good. Perhaps in the afterlife, I'll revisit this album and discover it to be an absolutely priceless treasure. But, for now, I'm saving my shraps for sweets.
Peace. - @daFigz™ #RATBAG
An exceptional release out of Amsterdam and on the 4AD, Ivo Watts-Russell's generation of releases. Moody, brooding, and atmospheric music let the dark recesses of the basement out into the light, scaring some and delighting many more. Track two, "No Words," remains my favorite. The simplistic lyrics imply a sexual conundrum of one person watching, while the other is unaware.
Quoting the lyric, "No words to explain
No words in my mouth
No words in my mind
But the gesture ... read more
Jackson's metropolitan vibe is catchy. I find it odd that people apply the genres Progressive Pop and Sophisti-Pop to this early 80s album, neither of which applies. Regardless, this LP and '79s 'Look Sharp! are two of the New Wave era's finest examples of a stylized sound and nicely polished without succumbing to overproduction. Peace. - @daFigz™
Astonishing recording by Stevie Wonder that continues to garner accolades all these years later, when the youngsters discover the gift that is Stevie Wonder. - @daFigz™