𝘊𝘶𝘭𝘵𝘶𝘳𝘦 is mostly worth the listen.

On 𝘙𝘐𝘕𝘈 the production is huge and colorful, and Rina's performance is gorgeous.

Big K.R.I.T. perfected almost everything on here.

Harry's debut got few stand out tracks, yet most of the album sounds boring with weak songwriting.

The album swings between the dreamy soundscapes and the vocals, and the result is not really that much of a work.

All though Thundercat is one of the best bass players out there, but 𝘋𝘳𝘶𝘯𝘬 doesn't hit that much.

𝘜𝘵𝘰𝘱𝘪𝘢 may be not good as her other albums, but it holds a good amount of great songs overall.

𝘍𝘳𝘦𝘶𝘥𝘪𝘢𝘯 is Daniel's best album and it's not even close.

Sampha's voice alone makes the album floats all through.

Mac DeMarco did quiet well here.

𝘈𝘓𝘓-𝘈𝘔𝘌𝘙𝘐𝘒𝘒𝘒𝘈𝘕 𝘉𝘈𝘋𝘈𝘚𝘚 is arguably Joey's best, showcasing a solid lyricism with an amazing concept.

Paramore are having a lot of fun on here.

𝘛𝘩𝘦 𝘕𝘦𝘷𝘦𝘳 𝘚𝘵𝘰𝘳𝘺 is a decent debut for JID, showcases strong lyricism and a preview of what he is now.

A drake mixtape.

𝘞𝘪𝘵𝘩𝘰𝘶𝘵 𝘞𝘢𝘳𝘯𝘪𝘯𝘨 is a really solid trap album, that did what 𝘋𝘚2 or 𝘙𝘰𝘥𝘦𝘰 did for the genre.

On her debut Phoebe creates one of the most daring folk records I've heard.

The concept on 𝘈 𝘊𝘳𝘰𝘸 𝘓𝘰𝘰𝘬𝘦𝘥 𝘢𝘵 𝘔𝘦 is one of the best of all time easily.

Terrible.

Lil Uzi Vert's debut is repetitive dead trap and feels lifeless.

This is unbelievably bad.