'Traumazine' is another coherent and personal album by Megan. Very... Very... "personal."
‘All Our Gods Have Abandoned Us’ has big, spacious and soaring moments but lacks some versatility.
‘SAWAYAMA’ is a genre-bending, self-reflecting, and head-banging album that is impressive.
‘Wolf’ is a leveled-up version of his last project ‘Goblin.’ Everything is better on this record, the production, lyrics, and even features.
Two good hits, the rest are just okay. This project is not something to come back to, but it’s an okay first listen.
Tyler makes a quick return with a fun, upbeat, and electronic dance-rap album that will not keep you still!
Faye Webster continues to put out quality music that will stay stuck in your head because of her clever melodies. Underrated in my opinion.
While some of their songs last for 10,000 days, Tool seems to go for quality over quantity.
'After Hours' is the start of The Weeknd's trilogy, and it starts off solid with alternative R&B beats and Abel's signature vocals.
This is the Rock album everyone will say is a classic, whether you like the old style or not.
'Around the Fur' is one of Deftones best projects, with full Metal anthems and heavy guitars.
'American Idiot' contains most of Green Day's best work, and some songs that are just okay.
Paramore followed their last album 'Riot!' with a lot of the same energy, and more experimentation vocally and instrumentally.
Coldplay's very first album 'Parachutes' is a dreamy and warm soft-rock album.
Yes, '(What's the Story) Morning Glory?' is worth some of the hype. Oasis has a strong grasp of what they do best, and they completely take advantage of it here.
'Demon Days' has some really great tracks on it, but some songs could use something more to them.
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