The idea behind the album is cool... the result it's pretty lame.

Mikazuki always brings future funk to live with so freaking good samples. Sentimental is just another example of how to approach to this kind of music.

Very fun... just that.

Gets monotonous by the end.

Fine vocals, fine instrumentation, good composition... sadly any song is every song (even in lyrics)

This is really good pop.

So good composition, so sad the production didn't follow the marvelous of every song.

Even when "So What" breakes LOONA's signature sound and production style, the whole alburn (pun intended) shines as a solid piece of Kpop risky songs and well blended styles with so good composition over the top. Besides "So What", all other songs are a classic LOONA's style of approaching pop music (with japanese and korean progressions alongside with some western structures and modern electropop tools in the making).
Lee So Man (owner and founder of SM Entertainment) hand ... read more

It's hard to see where are the flaws of this production. Te amount of effort in blending a large amount of styles, sound and genres it's, at least, amazing. There are, of course, a lot of downsides, especially in the main single, wich is just a normal and simple ballade with no implicit risk. In the other hand, it's refreshing listening to an album that takes the risk without knowing if it's gonna pay. Tracks like "Look At Her Now", "Vulnerable" and ""Kinda ... read more

Pretty awesome to see a change in the TWICE music style. It's narrower to other fantastic thing like LOONA or Red Velvet. The production is astonishing with a perfect use of elements you can find in Japanese electronic and future funk. I found the title track dissapointing, but every other track in this monialbum is just awesome.

As a victim of domestic abuse this album is even more powerful. Lingua Ignota creates a really sorrounding space where the fear, the hate, the violence and, yet, the faith take place. The mixture of dissonances with the really chaotic harmonic representation of the themes and the lyrics it's really one of the most well constructed pieces of this decade, at least.

It's hard to understand what she lived o what domestic abuse victims live, but Lingua Ignota managed to put you in that feeling and ... read more

The most solid album James Blake has made, but also de most boring and less propositive. It doesn't sparkle magic and a deep, strong and bold composition as before, but even like this, is the first time we listen the totality of James

Really good effort, but experimentation doesn't mean something it's immediately good

Catchy and powerful. Really good work in the making of stadium hymns. Maybe feel kind of old and out of his time, but the compositions, that indeed are old made, can assure you a heavy path into the feels of the happiness, not only in the sense of it

I was really excited about this album, but it didn't amaze me. Yes, it have masterpieces of production and composition, that feels fine and very nice with the under pop scene, but overall is only a singles album with like three good ones. Most of the songs can't last as potential singles, but neither as album content. Feels desperate to fit into many things that ends in nowhere land

Electrifying and very powerful. It's a really good piece of work with nice melodys over really fine lyrics, but the production decision makes it fall very quickly. It's sad to see a really good potential thrown away by only one bad thing

Really really really awful album. No direction, no production sense, felling old and bruised off the real talk about music right now. It's like the "Hellow fellow kid" meme of Steve Buscemi

Beautiful... yet kind of boring after 20 minutes

Too much technic will bring you this: well instrumented, but lacking of hearth and sense of... anything

It has a very good standalone tracks there, but has also no identity.

Such a good, yet unstable, experimental album.