The Azure's side is perfect. Instrumentals, blending electronica and folk complement the beautiful and tender story of Azure. Meanwhile, the Father's Side could have benefited from some drone elements; I think the gray ordinariness coupled with the growing excitement could have been expressed much better yet it still came out pretty cool. The dry irony in the narrative of the first disc is the icing on the cake in this simple yet atmospheric story.
A monumental and magnificent album, both within the discography of Les Rallizes Dénudés and in general. Like many of the band's bootlegs, it's noisy and chaotic, yet Mizutani's superb vocal performance and the band's incredible instrumental playing are perfectly audible. It's an album of contrasts—offensively loud and chaotic, yet at the same time incredibly touching and melancholic, with passionate vocals that penetrate straight to the soul and ... read more
I'm really glad this atrocity didn't become the last album of the legendary band that made paranoid
Everything's gone. Forever. Swallowed by the merciless power of the sea caused by the furious wrath of Poseidon. In the blink of an eye, all millennia-old civilizations were buried under an immeasurable mass of waves. Eternal peace and tranquility, long talked about for years, was finally achieved, and no one was prepared for it. People were getting ready for bed, some were strolling with lovers, others were working, and still others were dreaming, when the waves began to surge. Thunder ... read more
I never thought that a mixture of jazz, post rock and rap could work so well as it does on Maruja's album. The production on some tracks is somewhat reminiscent of the New Sound by Geordie Greep, although Maruja add their own unique twist to it. The rapping is captivating and suits that unique style of production really well
I feel like i am at a giant rave party whenever I listen to this album
Most definitely not for me but i can see myself returning to this project and enjoing it in the future