An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were.
When bands go on for a long enough time, their music can wind up coming across as self parody. “Rite Time” takes that a step forward. It sounds like the anti-Can from the mirror dimension.
Your average Can song consists of a repeating groove and melody atop of wich is thrown a seemingly random assortment of musical ideas. It shouldn’t work, but it does. This album shows what happens when it doesn’t work.
Part of the problem is I don’t like what Malcom Mooney is ... read more
A piece of shit reunion album, featuring the original five members. Malcolm Mooney still sounds like he's retching up little bugs (preferably beetles) all over the studio floor. The other guys have gotten older budweiser. And boringer. They certainly sound like they're having a good time, but the music sounds more like a Talking Heads reunion than a Can reunion. The "grooves" are stupid grooves. Grooves anybody could write in 30 seconds. And there's nothing "progressive," ... read more
how the fucking fuck did this band make the best krautrock ever and then made hoolah hoolah
Mooney is back and gives a… decent performance? I don’t know — at times I actually find it enjoyable. Eh, worse offenders include the lack of progression on some of these tracks, the ’80s influence, and the album cover. I don’t hate it, but I don’t enjoy it in a “so-bad-it’s-good” sense either. For the most part it grooves along fine and offers enough strangeness to not be a complete bore.
| 1 | On the Beautiful Side of a Romance 7:27 | 35 |
| 2 | The Withoutlaw Man 5:00 | 23 |
| 3 | Below This Level (Patient's Song) 3:43 | 30 |
| 4 | Movin' Right Along 3:24 | 33 |
| 5 | Like a New Child 7:41 | 35 |
| 6 | Hoolah Hoolah 4:31 | 27 |
| 7 | Give the Drummer Some 6:44 | 31 |