On Future Days, Can fully explored the ambient direction they had introduced into their sound on the previous year's Ege Bamyasi, and in the process created a landmark in European electronic music.
Damo Suzuki's cooing ("You hide behind a borrowed chase / For the sake of Future Days") never sounded so alluring, and Can's music had never seemed as sensuous or divorced from gravity.
Future Days sets its sights a little lower. Suzuki mostly sticks to the background, aside from a peculiar attempt at a pop song ("Moonshake"); the rest of the album is three long, dreamy pieces that suggest Can had been listening to electric-era Miles Davis.
Can? More like Can Deez Nuts...
What a strange choice to make your band name vulnerable to the deez nuts attack, not the brightest marketing
Can is a band that I've been meaning to check out for a long time, I've mostly heard of them because my favorite band Radiohead has stated them as one of their biggest inspirations and I've also heard of them, because they are considered to be one of the most iconic if not the most iconic Krautrock band. And I really wanted to venture out and finally ... read more
Future Days is a great record full of twists and turns from start to finish. The title track certainly isn't the strongest point on the record for me though, that accolade probably goes to Spray which I personally find is darker and has a much stronger sound with its intense percussion and spooky-sounding keys, complimented well with the background guitars.
We then get a rather interesting shift into something of a slightly more mainstream-sounding pop/funk tune in the form of Moonshake. ... read more
Tago Mago tiene los puntos más altos, Bamyasi tiene la vaina digerible, este cabrón, es único.
| 1 | Future Days 9:34 | 92 |
| 2 | Spray 8:28 | 87 |
| 3 | Moonshake 3:02 | 91 |
| 4 | Bel Air 20:00 | 93 |