It’s sad, it’s intimate, it’s cozy and it’s sensual. Gracie Abrams has fantastic voice that resonates with the music.
It’s… ok. But nothing more. Fantastic production, but for some reason I do not “feel” this record.
Combination of catchy beats, intimate lyrics and sensual voice is magical.
I feel insecure listening to this record. It’s unsettling but still wants you to hear it. I love how every little sound of this album is perfectly planned and in place.
Uneven record with fantastic moments (Cracked Island, New Gold, Skiny Ape) but mostly with not interesting and sallow songs.
Heavy Heavy gives us unique genre-blending sounds that are well-played and well-produced. Intriguing and odd, starts as some kind of country record, only to shock and hypnotize listener.
Caroline Polachek's second album continues the path chosen with the Pang record. Genre-bending, energizing, unconventional and bold. One of the best performances of the year and it’s only February!
Ladies and Gentlemen this is the album that I was waiting for - a pop record filled with catchy songs, fantastic instrumentation, disco rhythms, top-notch production and the passionate voice of Ava Max.
I've never been much of a Paramore fan and this will not change after this album. It’s well played and produced but not for me. Hayley Williams voice is (as always) powerful and hypnotizing nut not enough to make me go back to this record.
I came here only to disappoint myself. Instead, this record charmed me - eclectic music, strong vocals and top-tier production. I’m amused, how refreshing and out of box this album is.
This record is something new and refreshing - skillful mix of the rap and new age punk. This music is hypnotizing and addictive. Zdechły Osa is not pretending and is honest in his lyrics, which are infuenced by his wrocław's neighbourhood.
I came here only for the Enemy. This album is just flat - the same music throughout the whole record, the same pattern in every song. Just boring.