Molina

Typa shit dudes would genuinely crucify you for bumping in 2017. So was it actually that bad? The answer is no, not really. It's not that good, but it isn't an abomination to music and humanity like people were acting like back then, in fact, the "death to mumble rap" crowd were far more annoying and made much worse dogshit, lmao. It's hilarious that this is honestly better than anything Tom MacDonald or Adam Calhoun have ever made. People were oddly harsh on this, yet ... read more

This subverts the issue I have with brutal death metal, that being vocals growled to a point that they're just sounds. The vocals on this project though aren't guttural to the point its just noise, but just to the threshold where there lyrics are still clearly able to be made out. The instrumentation isn't very technical, instead settling for simplistic, yet unique and powerful riffs and drumming. It's a great balance between brutality and simplicity, not veering too hard ... read more

A huge step up from The Top. The most fun Cure album yet, veering away quite a bit from the gloom and into a jangle pop like sound. It's a much more traditional dancey sound that they pull off perfectly. Honestly, this is better than The Queen Is Dead in that regard. You can hear the foundations of the kind of vocals Robert Smith would later use for Disintegration. That's the great thing about The Cure, they always innovate in some way, it's never a stale experience with them. ... read more

Like a continuation of Gliders dreamy pop focus, but with more distortion and signature MBV charm. I would say it's a stronger showing than their previous 2 EPs.