By Storm - My Ghosts Go Ghost
75

Most of the experimentation is good ear candy and the songwriting is mostly focused but allows the listener to still “vibe” with whatever’s going on sonically. Songs tend to drag on a little long towards their ending such as “In My Town” and Grapefruit is a little bland but overall a good piece of art

Fishmans - LONG SEASON
80

Blud forgot to wipe

Thom Yorke - The Eraser
85

I wouldn’t go entirely far to say that’s it’s played safe, just a consistent record that goes into the spacious pockets that Thom can easily thrive in while throwing in enough distinct touches in the instrumentals that make it a compelling listen

Kate Bush - Hounds of Love
85

Anyone else come here from stranger things?!?!?!!

A$AP Rocky - Don't Be Dumb
70

Uh doi doi I’m stupid dumb baby dumb dumb

Title Fight - Floral Green
85

I don’t need your simpathy

Zach Bryan - With Heaven On Top
65

Too long and unchanged

PJ Harvey - Stories from the City, Stories from the Sea
85

Take off your pjs because this aint a sleeper

Boards of Canada - Music Has the Right to Children
85

On board from punta cana to Miami lol

Broken Social Scene - You Forgot It in People
90

Gah dam head ahh origins round 55

Public Enemy - It Takes a Nation of Millions to Hold Us Back
95

Balls-to-the-wall delivery and production push the thematic envelope of what rap can and should be. Chuck D and Flavor Flav double down on the album’s second leg, driving it further with heightened urgency and relentlessness. A few tracks lean on the same screeching DJ elements a bit too often, but the album keeps things fresh with switches like the piano on “Black Steel in the Hour of Chaos” and the cuts on “Bring the Noise” and “She Watch Channel ... read more

21 Savage - WHAT HAPPENED TO THE STREETS?
50

The bars and beats deliver the familiar but exhausted trap roughness and intensity expected from 21, but the real letdown comes from the elementary choruses, capped by a feature from the Iceman, whose touch turns everything to a desolate, hollow breeze.

Nas - Light-Years
70

Considering some of the features Nas has been on this year and the other unc albums this one doesn’t particularly stand out

Carly Rae Jepsen - E•MO•TION
80

E-MO-TION feels like a metaphorical fishing rod: it’s equipped with a killer hook that reels in plenty of catches right away. But while the hook is strong, the bait doesn’t always evolve, and the line doesn’t consistently have the pull needed to land the biggest fish. Returning to the same fishing spot can get repetitive, yet there’s an undeniable sense of comfort and fun in those familiar waters.

Slowdive - Souvlaki
85

Wanna hear a shoegaze joke? If the shoe fits…wear it!

Sade - Love Deluxe
90

Sade’s softness carries real emotional weight over infectious drum patterns that lock the album into a steady groove, with thoughtful production touches that add texture and intimacy throughout, creating a timeless accomplishment driven by its thematic depth, elegant soundscape, and Sade’s unmistakable passion.

LAUSSE THE CAT - The Mocking Stars
65

Can get too nonchalant both in instrumentals and delivery especially early on which makes some song not stick.

TOOL - Lateralus
80

A lateral tool something something

Built to Spill - Perfect from Now On
90

Doug Martsch delivers a performance that can be oversung and exaggerated yet clearly intentional, giving the album a distinct attitude. The instruments maintain a consistent sound with just enough variation to keep everything cohesive and in stride. And while some songs feel a bit overstretched, the laid-back tone Martsch sets makes those moments easy to settle into.

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