I couldn't even decide if the album was good or not. It doesn't make me feel bad, but I need to listen to it again.
*I didn't really like how it was hyped up as one of the best albums in history. In my opinion, it's an album that didn't use its musical potential enough. Despite working with big names like the London Symphony Orchestra, Pharrell Williams, and Guy-Manuel de Homem-Christo, it unfortunately wasn't the revolutionary album in "energetic" ... read more
By far the album I've listened to the most in my life, with over 1,500 plays. Around this time last year, I literally lay in bed at night staring at the ceiling listening to it. I wish this excessive listening had different reasons...
Yessss!!! The third best gay album ever after IGOR and Blonde.
I hear an incredible resemblance to The Strokes. The vocalist's tone and delivery style are exactly like Julian Casablancas.
It's a vocal-focused album, but it was really good. I could understand a few things with my basic French.
El Jardín de los Presentes was Invisible's third and final album. The band had formed in 1973, just three years before the album's release. It was an experience that lasted barely four years, during which time they released three albums. But it was intense and full of experimentation.
And it was so intense for El Flaco that he himself defined it this way: “For me, Invisible is a jewel that I keep in a golden chest.”
The album was composed, recorded, and released ... read more
Before I tell you about this masterpiece, I want you to know that I will be describing Anatolian Rock in a general cultural context. It may be a long article.
It all began with a song titled Burçak Tarlası, composed by singer Tülay German and arranged by Erdem Buri during the winters of 1963 and 1964. The song had a Western feel but retained its traditional Turkish characteristics. Initially played only in well-known local venues, the song gained fame and critical acclaim when it ... read more
I believe I have listened to the best soundtrack album I could listen to.
This is exactly the kind of sound I was looking for. Without a doubt, this album has 12 songs and 55 minutes that brighten my day. I don't care who or what inspired it, and I think that's the least important thing about this album because you shouldn't get into arguments about something that's enjoyable to listen to. Music culture evolves this way and will continue to do so. Debating who's better or who copied whose sound won't even be remembered in 100 years ... read more
The release of “Mother” increased the album's score by one point in my eyes, but I wish he had also released the Carti feature of “Thought I Was Dead.”
The production is excellent, especially the drums are fantastic. Musically, I got a truly unexpected sense of satisfaction. Even though I had to listen to it repeatedly to understand it, I think it's enough for me that I didn't miss out on such beauty.
I like garage rock sound, and this is a top-notch album, so it's not surprising that I like it.
An excellent album. Even if it's overshadowed by Blonde, I definitely want it to be released on digital platforms.