PolkaNota

Madison Beers’ most recent album is not objectively bad, but it fails to answer the question on everybody’s tongue “Who is Madison Beer?”.
During the LP runtime, it’s not hard to notice some of the artists that were on her moodboard (majorly mainstream female sensations) and so the project sonically is packed with synths, smooth R&B tunes and a bit of chillwave here and there, and do some of the tracks here sound good? Yes! But are they super memorable together ... read more

On her debut album "Who’s the Clown" Audrey Hobert showcases her unique songwriting skills and her ability to blend humor with confessional and narrative lyrics, the record itself is mostly about embracing your weirdness and kinda laughing at yourself.
During the LP runtime, Hobert (a TV writter btw) almost plays a role of some sort of “weird girl” lost in her early-mid-twenties adventures full of anxious thoughts but still motivated and ready to face whatever comes ... read more

A record that starts strong, showing the french house influences with tracks absurdly (in a good way) full of samples and robotic sounds, but slowly during the run time, the euro futuristic energy starts to fade, losing a bit of it’s personality resulting in some of the tracks feeling like conventional electro beats. It still shows a very colorful vision of Daft Punk with them using childhood memories as a concept, creating something that feels nostalgic and even a bit sentimental but ... read more

Vespertine, a cozy, sensual and etheral LP crafted with methaforic and symbolic lyrics that go even deeper with Björk's production decisions, sonically this album is characterized mainly by music boxes, harp strings and purposeful glitches creating a very divine and unique downtempo sound.
The forward-thinking was still present in this record, but not like in her previous project "Homogenic", this time Björk was more focused on creating this immersive, icy and ... read more