The Villain’s Manifesto (200 Follower Special!)
Woah… I never thought I’d be here!
I always thought I’d sputter out at 150-170-ish followers, resigned to being a micro-celebrity amongst the circle I’d found and nothing more. But the number just kept growing over time, a follow gained every once in a while, to where eventually, the number grew from 198 to 199, then from 199 to 200.
I just want to thank everybody here for making this happen! It’s so surreal ... read more
Guitar rock but, like, bespoke? It's not exactly pompous, much less pretentious, but Antidotes carries with it a really sophisticated air that just oozes incredible amounts of personality with each little meter change and sparkly guitar riff.
I can hear the birth of many an indie rock trope here and yet it ebbs and flows just far enough away from that mainstream that it really separate itself in the little scene it builds for itself. It carries many strongly connotated genres with it but ... read more
The Reintroduction (85->87)
Edit: Grew on me a good bit on second listen!
Like aliens descending from the heavens above to meet us mere humans face to face, Boards of Canada descend from their music god pillars to meet us mere listeners.
On Inferno they continue with the impenetrable haze they’d pioneered on Geogaddi, playing with the loopy and warped samples and synths they’d risen to acclaim on the backs of.
There’s a huge ambient factor here, even moreso compared to ... read more
(82->87->91) The Greatest, Most Fantastic, Most Beautiful Clusterfuck
Frances The Mute presents itself first to the listener as a project that eternally escapes them, a sonic testament to the excesses of music that, though virtuosic without a shadow of a doubt, sacrifices listenability for it.
When I’d first heard this album circa August 2025, it was… off-putting to say the least. Everything from the nasally, at times screeched vocals to the impenetrably complex and ... read more
Thanks @alfonwoods for the rec!
Boundaries is a notable step up in Alfon Woods' composition skills, going from a bedroom pop/indie folk inspired sound to a dreamier, soft rock one. It's not too often you can see improvement happen in real time but Alfon pulls off this new artistic direction to good returns!
My complaints are mostly about it being a bit bog-standard for the genre, but since Alfon's steel is still hot, I don't see why things can't be improved on further!
I'm honestly surprised by how good this project was! Far from just a detour their main projects, Some Voices holds its weight amongst their best work, introducing more disparate influences into their sound.
The title track is an honestly fascinating delve into Trip Hop that the band had seemingly deviated from afterwards, which is tragic considering it's honestly great! ABSIV's loopy bass work alongside the very downtempo-ish drum and piano work blends together into a glimpse ... read more