My face felt sore all day from holding a stank face the whole time listening to this during my morning commute.
There’s really nothing like it. Blending Trap, EDM, hyperpop, opium into one sound that does not sound like an awful smorgasbord of noise is impressive. It’s a miracle how catchy and engaging this album sounds when 2Hollis’ prodigal production is allowed to shine. However, the style does get repetitive for the full 38 minute listening period and loses focus the longer it goes on. I do recommend giving it a full listen.
Makes my head move in directions that cannot be explained in a 3-dimensional space
I don’t know why I love this so much, I find it oddly relatable yet I shouldn’t relate to it at all. I can’t see myself as a rebellious young woman infatuated with an older partner or as the muse who drives a Harley, smells like whiskey and cigarettes, Americana tattoos, greasy salt and pepper hair, unkempt facial hair, and pronounced crows feet. Perhaps it’s just easy to visualize the themes from a songwriting perspective that draws me into annual re-listens. Timeless ... read more
You just don’t hear it, this album whispers directly into your soul with all its emotional might.
I haven’t listened to this since I was like 14 back in SoundCloud but I can still recite line after line and get turnt to this. It’s even more special having it on streaming services.
Almost a decade old and stood strong against the test of time. Truly timeless, undying, and replay-able. This is the blueprint of how to make an EDM album.
Not very Cohesive, lacked structure, nothing revolutionary apart from the switch between melodic house to drum and bass in “go back” that was pretty cool. The upside is this is a tech house DJ making things like drum and bass, progressive house, liquid, and electro things I thought was beyond his skill set. John Summit I was not familiar with your game.