Blah Blah and FTC should have been in the actual album. They’re incredible songs. As for the rest of the new tracks on this deluxe… They’re just alright.
Best Track: Blah Blah
Weakest Track: Beautiful
Murmur is a great album and all, but I just don't see why it's as praised as it is. It's a fun listen, but it's far from jangle pop perfection and it's definitely not R.E.M.'s magnum opus. I mean, it has a VERY strong first half, but by the end it's sort of limping to the finish line. I think this project's twangy guitars and Michael Stipe's Southern drawl sound great throughout the majority of this album's duration, and there's a good ... read more
Song of Sage: Post Panic! is an absolutely gorgeous album! It's ethereal and jazzy production is like a gentle gust of wind that gently carries Navy Blue's passionate and thoughtful lyricism throughout it's runtime. This project sounds like sinking into a warm bath with only your thoughts to keep you company. Yes it's full of heavy topics, but I think the tragedy and reflection on this album gives it an even more intimate and bittersweet feeling that compliments the ... read more
I don't really care much for WHAM! or George Michael's music, but this song is pop perfection.
Sweet Boy, Malcolm Todd's first foray into releasing longer-form projects is a fantastic and groovy listen front to back. It's a bit rough around the edges, but I think it's charm and personality make up for it's flaws tenfold. It's fuzzy production and Malcolm's raspy yet intimate vocals give this tape an almost scrapbook-like feel, and it makes the listen just that more memorable. Every song on here feels like an entry in a journal, and while some entries can ... read more
They Want My Soul is a fun and tight listen front to back. I can't say it's the craziest or most ambitious rock album from the mid 2010s, but it's personality, catchy lyricism, and instantly memorable instrumentation carry it very far. The way this this project handles it's post-punk and indie rock sound leaves little room for complaints. Sure, this album as a whole lacks a bit of depth, but it sticks the landing where it matters. It's not perfect, but this project has ... read more
I might not have a lot in common with middle-aged divorced fathers, but what we do have in common is the opinion that Steely Dan's Aja slaps! It's far from a complex or deep listen, but it's just infectiously groovy front to back. Also, while substance-wise this project may be fairly shallow, it's instrumentation is incredible. It's jazzy, funky, and easy to get lost in. While this release can get a bit repetitive and one-note at points, it was still pretty fun almost ... read more
MJ Lenderman's self-titled is a lovely dose of melancholy. The instrumentation on here is awesome, as the listener is suffocated in fuzzy guitars with an even greater amount of southern twang than MJ himself. Speaking of MJ, his twangy vocals are just perfect for the kind of slow slacker ballads this release is packed with. His voice alongside this project's muddy production create an atmosphere that's raw, sorrowful, and bittersweet in all kinds of great ways. I do think this ... read more
I think Heaven or Las Vegas is an absolutely gorgeous album. The production and vocals are just beautiful in every sense of the word. This album's sound is lush and ethereal inside and out. I could get lost in this project's blaring synths and airy guitars forever. At first I thought the gibberish lyrics were an odd choice, but I think they work because the production on this album is just so layered and the vocals are full of so much texture. Heaven or Las Vegas has an unforgettable ... read more
London's Saviour is a great debut from fakemink, and I'm really glad I've finally gotten around to it. It was a bit off-putting at first, and to be honest it took a second to click for me due to reasons ranging from the high-pitched vocals to the rough production. Again though, it really only took me a second before I began to enjoy this project. You honestly wouldn't expect such a short release like this one to feel very complete, but London's Saviour does. It's ... read more
Black Ben Carson is probably my least favorite album in JPEGMAFIA's discography. I don't think it's bad, but it's all over the place and it's got some INCREDIBLY rough edges. This project has some really stunning experimental gems such as The 27 Club, but it's got some real grating cuts too. For better and for worse this release's sound is very raw, and while that is a staple of JPEGMAFIA's sound in general, it's to a mixed result on this particular ... read more
I love the lyricism and the chorus and everything about Charli's performance, but the production is just flaccid.
Edit: In the days following my review of this album, it’s grown off me hard. It’s just meh all around with a couple exceptions. I’m gonna leave my original review up since it still captures how I feel about this project. The current issues I have with it are just amplified versions of the issues I pointed out below.
I think a lot of the people that despise this album made their minds up about it weeks ago because they're chronically online and JPEGMAFIA's been ... read more
It's an good deluxe, but I'm not too upset that these songs were left of the original release. With that said, 2 NIGHTS IN LA is an absolute banger!
Best Track: 2 NIGHTS IN LA
Weakest Track: PUNK B!TCH
In a year where not too many releases are sticking with me, Genesis Owusu has managed to captivate me yet again with his third album REDSTAR WU & THE WORLDWIDE SCOURGE. The world and atmosphere he creates on the projects he releases always feel special, and that continues to be true with the album. It's got all the wonderful genre-bending that we've come to expect from Genesis Owusu, but it's also got some really well-executed political commentary along with some extra ... read more
I had high hopes going into GENESIS FM because I loved the singles, but honestly it's just... Alright. It's a fun producer album with some catchy and bouncy songs, but that's about it. The features are hit-or-miss, but stylistically this album is pretty cool. I enjoy it's cold synths and punchy drums. I do kind of wish BNYX® pushed the sound of this project a little farther because I love what's there and I think he's talented enough to do so. GENESIS FM ... read more
BULLDAWG is Kenny Mason's best showing since his debut album. It's not perfect, but I couldn't be much happier with it. Kenny loves mixing his genres together, and I think that variety of sound combined with consistent quality is what makes this project so great. When a album is as varied in sound as this, things can get messy and jarring fast, yet I don't think BULLDAWG ever becomes either throughout it' runtime. I think the switch ups all make sense, though ... read more
Drake has lost the plot. HABIBTI is horrible, and Rusty Intro might be the worst song he has ever made. If I wasn't enjoying spending time with my Drake-loving friend while listening to this project, I would have turned it off after the first song. The bar for this album's quality was in hell and Drake somehow went lower.
Best Tracks: N/A
Weakest Track: Rusty Intro