I'm unsure if this really is luxury or just everyday life. At least in my case. Tempting as it is to go on longer than I need to, I feel like it goes against this kind of music's thesis, so allow me to draw a neat little line here without having used the word "smooth" more than once.
The most intense of our fart jokes, wrapped up in something a little like a dying star. I don't know if this is just my own life coming into the fray here but it's hard for me to believe that this isn't the end.
Undoubtedly the best of Walker's avant-garde trilogy, all wrapped up, experimental to the point where it's one of those few records that actually feels experimental, like a child or maybe children clinging around with resources they're too young to ... read more
Since we last spoke I've taken to going on these lengthy walks at night. It's easier at this time of year than ever because it's encroaching. You can practically feel the daylight getting shorter, and you can grip such stuff in your hand. It doesn't matter that I don't know what it's called. I also realised that the glimmer of light I mentioned was Patriot.
I've been thinking of this record as I walk. The street doesn't bother to end and its little ... read more
Despite all the talk of this being his debut in the avant-garde side of things, I don't know, something about that rubs me the wrong way. Sure, Climate of Hunter has actually grown off me a bit, in retrospect, but that's only because it laid the ground for this to flourish. Before I heard this, everybody told me Tilt was the beginning of an indescribable nightmare, a darkness truly impossible to tap into, as if you needed to be high up on some kind of scale dictating your ... read more