An amazing album. Like 2 skips, but the emotional depth and revolutionary creativity makes it an all time classic.
Pinocchio Story is a piece of art
Graduation is the perfect blend of stadium-ready anthems and introspective flexes. Kanye traded the soul-sample-heavy production of his earlier work for synths and arena sounds, and somehow made it feel just as personal. It’s less about struggle and more about ambition, success, and the bittersweet moments that come with fame.
The tracklist is stacked with classics—“Flashing Lights,” “I Wonder,” “Can’t Tell Me Nothing,” “Good ... read more
The College Dropout is one of the most impactful debut albums of all time. Kanye didn’t just introduce himself—he reshaped what hip-hop could be. Honest, soulful, witty, and deeply personal, this album blends gospel, chipmunk soul, and conscious rap without ever sounding forced.
Tracks like “Spaceship,” “All Falls Down,” and “Through the Wire” gave voice to frustration and ambition in a way that felt relatable and revolutionary. “Jesus ... read more
Tracklist: 1. It's Up, 2. Blue Green Red, 3. Housekeeping Knows, 4. No Face, 5. SOD, 6. Circadian Rhythm
Going 5/6 is a great effort, with No Face, Circadian Rhythm, and Blue Green Red being insanely good. It isn't meant to be a cohesive work, but the lack of cohesion and Housekeeping Knows being bad brings down the rating.
A solid collection of trap songs, with amazing Metro production. Some iconic mid 2010 bangers are all over this album, along with some gems.
For All the Dogs is a good album, but a flawed entry in Drake’s catalog. Despite flashes of brilliance, with some amazing RnB and Rap songs all throughout this album, the album often feels unfocused, bloated, and unsure of its identity. Some of the strong cuts that either have incredible bar work, some nice vulnerable writing, or nice melodies include 8am in Charlotte, First Person Shooter, Away From Home, Drew A Picasso, Tried Our Best, Virginia Beach, and Slime You Out. Drake juggles ... read more
Drake's best rapping of the 2020's, with amazing performances like Rich Flex, Major Distribution, On BS, Broke Boys, and Middle of the Ocean. Also some amazing alternative performances like Hours In Silence, Circo Loco, and I Guess It's Fuck Me. 21 was spitting amazing verses, despite not having a ton of run time.
Honestly, Nevermind is an impressive pivot for Drake, embracing house and dance music with surprising confidence. The immersive production and summer atmosphere make it one of his most sonically cohesive projects in his catalog. While some vocal performances fall flat and a few tracks overstay their welcome, the bold creative risk largely pays off. It's a refreshing change, and it proves that Drake still can evolve infinitely - even if some shifts are polarizing.
Certified Lover Boy is a good album, but ultimately it's one of the weaker albums in Drake’s catalog. While it has moments of introspection and the signature blend of rap and R&B that made Drake who he is, the project suffers from bloat, formulaic songs, and a lack of focus / effort. Standout tracks like “Champagne Poetry” and “No Friends In The Industry” remind us of his sharp pen, dominance, and stardom, but too much of the album is him coasting and ... read more
Such an underrated project, reminding you that when Drake makes a concise project it is an amazing listen. Despite weaker songs like Toosie Slide, Pain 1993, War, and Demons, the 10/10 highlights override that. Omg that GIVEON feature...........
Scorpion is a flawed yet great album that showcases two sides of Drake. While the double-disc format feels unnecessary and bloated, Disc 1 delivers some of Drake’s best lyrical performances, going 11-for-12 with consistency and replay value. Disc 2 drags in comparison, but standout tracks like “Nice For What,” “Jaded,” and “Blue Tint” shine. Despite its excess, Scorpion proves Drake still has plenty off quality and hits in his bag.
An overhated pop-rap record, where Drake goes 17/19 while experimenting with his sound. The first 7 songs and the last 7 songs is where this album peaks, with incredible rap cuts like 9, Weston Road Flows, and View. With incredible crossover tracks like U With Me, Feel No Ways, Redemption, Too Good, and Fire And Desire. 40 incorporating the seasons changing into the production was a great touch.
The best display of pure rapping Drake has ever put into a project. This is Drake at his most aggressive, focused, and unapologetic—IYRTITL is a classic mixtape that redefined the surprise drop and showed he could dominate with bars alone.
40 and Boi-1da absolutely cement themselves as top-tier producers here—the atmosphere is cold, eerie, and razor-sharp from front to back. It’s moody, relentless, and still sounds ahead of its time.
Nothing Was the Same is Drake at his most focused, most refined, and most emotionally sharp. Just 13 tracks—but each one feels essential. From the bold, layered opener “Tuscan Leather” to introspective standouts like “Furthest Thing” and “From Time,” this album finds a balance between vulnerability, ego, and ambition that few artists ever strike.
No skips, just moments. “Hold On, We’re Going Home” gave us a timeless classic. ... read more
Thank Me Later is a good debut that showcases Drake’s early potential, but it's very raw and he is still clearly trying to find his sound, which keeps it in the lower tier of his catalog. The album captures a rising star grappling with fame, love, and insecurity. Tracks like The Resistance, Over, Fireworks, Miss Me, and Find Your Love hinted at the introspective genius and hitmaker he’d become. It’s a solid foundation, just not one of his most refined works.
Create an account to rate and review albums.
Recent Review Comments
No review comments
Advertisement