UncJah

I’ve known Wesley Joseph since his Ultramarine EP, which already left a strong impression on me. A couple of those tracks have stayed in my rotation for a long time, so I came into this debut album with real expectations. I don’t usually keep up closely with 2026 releases, but this was one of those exceptions where I wanted to stay in touch and see how an artist I already trusted would expand into a full project.

What I found was an album that doesn’t reveal itself instantly, ... read more

I spent hours with Trilogy. Not casually, but really sitting with it — going back to certain moments, changing my mind, getting pulled in again, and at times getting genuinely frustrated with what I was hearing.

That tension is exactly what defines this project.

Because what makes The Weeknd so interesting here isn’t just the sound or the atmosphere, but the character he builds across these three tapes. It’s a character that becomes increasingly self-aware, increasingly ... read more

Heligoland is Massive Attack’s fifth studio album, arriving seven years after 100th Window and marking another evolution in their sound. By this point, the band lineup had shifted slightly, with Robert “3D” Del Naja and Grant “Daddy G” Marshall still leading the creative direction, but with less input from Andrew Vowles (Mushroom), who had left after Mezzanine. That absence, combined with the long gap between releases, meant the album was approached with fresh ... read more

100th Window is Massive Attack’s fourth studio album, and coming to it after Mezzanine, you can immediately hear how the band’s approach has shifted. With Andrew Vowles (Mushroom) no longer part of the lineup, Robert “3D” Del Naja is left to steer the project alongside Grant “Daddy G” Marshall, and the result is a much more electronic, precise, and minimal sound. For me, Massive Attack remains one of the best trip-hop bands out there, and this album shows how ... read more