What holds it all together is solid writing that sticks close to stock pop/rock methodology.
The intentionality behind Meliora's accessibility -- namely with the progressive-pop-doom hybrid that Ghost have crafted on Meliora, with the occult aesthetic running in parallel to the music -- is a resounding victory for the Swedish sextet and is assuredly the band's strongest album to date.
Meliora is not so different from the band’s previous releases, 2010’s Opus Eponymous and 2013’s Infestissumam, but is infinitely more streamlined and thunderous in comparison.
Led by the eerily detached proclamations of third vocal incumbent Papa Emeritus III, Meliora strikes a shrewd balance between its two predecessors, snappier song structures moderating the intrusive impact of the band’s most unhinged ideas.
Ghost isn't for everyone; they are deliberately, deliciously over the top and unapologetically dramatic, but if you dig their smoke and mirrors, then Meliora is just the indulgence you've been craving.
It’s hard to imagine having more fun with a metal album than with Meliora.
Meliora positions Ghost as a pop-metal band, of the class that emerged in the ’80s as a friendly contrast to the more extreme movements that bubbled up at the end of the previous decade.
It's far and away a more engaging record than Infestissumam, but still, you have to wonder if Ghost should be metal's new chief representative.
THE METAL SUBGENRE CHALLENGE #013 - HEAVY METAL
In this challenge, I'll be taking a look at various albums I haven't heard yet from a variety of different Metal subgenres. I'm quite familiar with the genre, but I really want to dive into the specific subgenres and analyze them.
Now, the first time I've heard this album, I wasn't necessarily crazy about it, I thought it was decent, but it didn't leave much of an impression on me. Then I got into Ghost's full discography, and absolutely loved ... read more
Finally, it’s Ghost time and I really took my time to finally listen to them. Ghost is a band that I heard off in recent years because they had such a unique aesthetic to their music and their personas, meaning that they were gimmicking like the old bands like Kiss, Alice Cooper and those other arena rock bands using makeup and costumes doing like an evil church kind of deal where the lead guy is the Pope and the rest of the band are like their followers or something xd. And I always ... read more
1. Spirit - 10/10
2. From The Pinnacle To The Pit - 10/10
3. Cirice - 10/10
4. Spöksonat - N/A
5. He Is - 8/10
6. Mummy Dust - 10/10
7. Majesty - 7.5/10
8. Devil Church - N/A
9. Absolution - 8/10
10. Deus In Absentia - 7.5/10
11. Square Hammer - 10/10
12. Nocturnal Me - 7/10
13. I Believe - 8.5/10
14. Missionary Man - 8/10
15. Bible - 9/10
8.7/10 (Great 8.0-8.9)
spirit : 5/10
from the pinnacle to the pit : 6/10
cirice : 6/10
he is : 4/10
mummy dust : 6.5/10
majesty : 6.5/10
absolution : 6.5/10
deus in absentia : 6/10
| 1 | Spirit 5:15 | 85 |
| 2 | From the Pinnacle to the Pit 4:02 | 90 |
| 3 | Cirice 6:02 | 94 |
| 4 | Spöksonat 0:56 | 75 |
| 5 | He Is 4:13 | 88 |
| 6 | Mummy Dust 4:07 | 81 |
| 7 | Majesty 5:24 | 82 |
| 8 | Devil Church 1:06 | 76 |
| 9 | Absolution 4:50 | 87 |
| 10 | Deus In Absentia 5:37 | 85 |